A gripping and well-crafted tale of prisoners and guards.
In this graphic novel, a group of prison guards attempts a heist against the backdrop of the March on Washington.
Baltimore’s Jessup Penitentiary, 1963. A former prison guard finds himself an inmate, and he has a story to tell. Kendrick Robinson was part of a family of prison guards, including his uncle Marcus and his cousin Francis—called Freckles for his light complexion. When one of their fellow guards is injured, Francis suggests they attempt to steal the score of mouthy former hit man Sid Scisiani, who is about to get paroled. Kendrick warms to the idea after learning he’s been drafted for the Vietnam War—he needs the cash to flee to Canada or buy a new identity. When Sid gets out, Kendrick and Francis follow him to his homecoming job—and learn that his first mission back is to assassinate the Rev. Dr. Martin Luther King Jr. Now Kendrick and his comrades need to plan a heist and save the celebrated civil rights leader at the same time. Meanwhile, back at the prison, a group of prisoners has escaped, including one White supremacist who would like nothing more than to settle a score with his Black prison guards. With the help of artists Oliveira and Dunbar—whose work evokes the bleak superhero comics of the 1980s—Walker spins a cinematic story that propels readers from panel to panel. “People in prison love to talk,” begins Kendrick in a nonchalant opening monologue right out of a Martin Scorsese movie. The words drift incongruously over scenes of inmates fighting and rioting: “There’s nothing more popular...given the other options....Just ask for an opinion...and cons will come running.” The book blends issues of race, civil rights, and prison reform in a way that is cogent while still providing an entertaining, guns-blazing crime story. The tale questions what sorts of behavior count as ethical while driving at a larger, societal morality embodied by the words of the very man whose assassination Kendrick is trying to prevent. Despite the darkness, the story manages to find its way to an ending of hopefulness—though not quite in the way readers will expect.
A gripping and well-crafted tale of prisoners and guards.Pub Date: Aug. 28, 2020
ISBN: 978-1-71914-473-5
Page Count: 153
Publisher: CreateSpace
Review Posted Online: Nov. 25, 2020
Kirkus Reviews Issue: Jan. 15, 2021
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
A flawed but visceral take on shared trauma and the fragility of friendship when we aren’t just kids anymore.
Four kids who swore an oath of friendship reunite as adults to face their fears.
The foundation of this novel is a consciously employed trope about messed-up kids, from the Losers Club in Stephen King’s It (1986) to more recent groupings of youth gone wrong in everything from Edgar Cantero’s Meddling Kids (2017) to Gerard Way’s The Umbrella Academy comic-book series. Here, it’s five kids from Bucks County, Pennsylvania, circa 1998: charismatic Matty, cynical Nick, carefree Hamish, cool-ahead-of-her-time Lore-née-Lauren, and nervous nail-biter Owen. Each burdened with terrible families, they create a pact, the Covenant: “It’s how they’re there for each other. How they’ll do anything for each other. Get revenge. Take a beating. Do what needs doing.” But when they discover the titular staircase during a camping trip and their impulsive leader Matty disappears while climbing it, the band breaks up. Decades later, Lore is a successful game designer, having abandoned Owen to his anxieties, while Hamish has become a family man and Nick is dying of pancreatic cancer. When he invokes their pact, the surviving members reassemble at a similar anomaly in the woods to make sense of it all. Climbing another staircase into a liminal space marked with signs saying “This place hates you,” among other things, our not-so-merry band suddenly finds themselves trapped in a haunted house. There’s plenty of catnip for horror fans as these former kids work their way through shifting set pieces—rooms where children were tortured, murdered, and worse, including some tailored specifically to them—but the adversary ultimately leaves something to be desired. The book isn’t as overtly gothic as Black River Orchard (2023) or as propulsive as his techno-thrillers, but Wendig has interesting things to say about friendship and childhood trauma and its reverberations. Lore gets it, near the end: “We’re all really fucked up and just trying to get through life, and it’s better when we do it together instead of alone.”
A flawed but visceral take on shared trauma and the fragility of friendship when we aren’t just kids anymore.Pub Date: April 29, 2025
ISBN: 9780593156568
Page Count: 400
Publisher: Del Rey
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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