Both complex and compelling, a nightmare-inducing parable about our own wickedness.
The myth of the poisoned apple belies the very real evil growing in a Pennsylvania orchard.
If Wendig’s latest is less paranoia-inducing than his techno-themed thrillers, it’s just as squelchy, made more so by the primeval nature of the antagonist. In Harrow, Pennsylvania, Dan Paxson is trying to raise his daughter, Calla, with good intentions, but he’s also a man with a chip on his shoulder. Little Dan, as he’s known to the members of the Crossed Keys, a nasty little social club, is determined to rescue his dead father’s legacy by resurrecting the family apple orchard and growing a singular, invasive species Calla dubs the Ruby Slipper. While Dan is already counting his future fortunes, we get to know Calla, 17-year-old burgeoning internet influencer, and her jock boyfriend, Marco, as well as plenty of other townsfolk. Among them are ultra-controlling lawyer Meg and her do-gooder wife, Emily, as well as Joanie and husband, Graham, whose S&M–themed Airbnb has rankled the locals. There are plenty of hints that something is amiss with Dan’s apple, but as he begins selling it at local farmers markets, it begins to change the people who eat it, making them stronger, more formidable, and meaner. Into this mix stumbles easily the oddest and most likable outlier, John Compass, a modern-day combination of trained soldier, newly minted Quaker, and Johnny Appleseed, who's looking for a friend who went missing while searching for a long-rumored Dutch varietal. On the other end is Edward Naberius, a mysterious, white-cloaked “restorer of lost dignities,” who is clearly more than he seems as well. Wendig writes doorstoppers, but it’s safe to say there’s something for everyone here, from the creepy Eyes Wide Shut vibe (complete with sacrificial rituals) to the Stephen King–laced dichotomy between the world’s everyday cruelty and the truly grotesque carnage that follows.
Both complex and compelling, a nightmare-inducing parable about our own wickedness.Pub Date: Sept. 26, 2023
ISBN: 9780593158746
Page Count: 640
Publisher: Del Rey
Review Posted Online: July 26, 2023
Kirkus Reviews Issue: Aug. 15, 2023
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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