An excellent look at the marijuana subculture, deluded or not, aspiring to the Middle-American mainstream.
The story behind the FBI raid on a Michigan farm that could have become the next Waco or Ruby Ridge—except that 9/11 intervened.
On September 9, 2001, Los Angeles–based journalist Kuipers read a newspaper article about the killing of two men by FBI sharpshooters at a southwestern Michigan campground, following a standoff that ran over the Labor Day weekend. Two days later, when people confronting the FBI were suddenly perceived less like defenders of their constitutional rights and more like terrorists, the story was dropped flat by most news media. Kuipers, however, had grown up near tiny Vandalia, Mich., and knew that smoking pot in the state was a misdemeanor, enforcement rare. “The shootings . . . smelled funny the moment I read about them,” he writes; he decided to follow up. For years, he relates, owner Tom Crosslin had groomed Rainbow Farm as a campground, meeting place and concert venue specifically for users and proponents of the legalization of cannabis. “Festivals,” usually dubbed something like Roach Roast or Hash Bash, were regular events; name artists performed for enthusiastic, presumably stoned audiences. The author goes to some lengths and generally succeeds in showing how the outlying conservative rural community, while hardly in favor of legal pot or post-hippie lifestyles, could tolerate Crosslin, his much-younger male lover Rollie Rohm and their crowd on the simple basis that what they did was their own business in a free country. But the county prosecutor’s office had other ideas. When Crosslin and Rohm were caught with a few cannabis plants growing in the basement, they were threatened with outright forfeiture of their property and possible prison time. Defaulting on their court date, the two armed themselves and prepared to burn Rainbow Farm to the ground. Was it spontaneous escalation, or did the War on Drugs go so far as to incorporate murder?
An excellent look at the marijuana subculture, deluded or not, aspiring to the Middle-American mainstream.Pub Date: July 1, 2006
ISBN: 1-59691-142-5
Page Count: 384
Publisher: Bloomsbury
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2006
That sense of joy infuses these gentle essays. “Old age sits in a chair,” writes Hall, “writing a little and diminishing.”...
The writing life at age 85.
In this collection of 14 autobiographical essays, former U.S. Poet Laureate Hall (Christmas at Eagle Pond, 2012, etc.) reflects on aging, death, the craft of writing and his beloved landscape of New Hampshire. Debilitated by health problems that have affected his balance and ability to walk, the author sees his life physically compromised, and “the days have narrowed as they must. I live on one floor eating frozen dinners.” He waits for the mail; a physical therapist visits twice a week; and an assistant patiently attends to typing, computer searches and money matters. “In the past I was often advised to live in the moment,” he recalls. “Now what else can I do? Days are the same, generic and speedy….” Happily, he is still able to write, although not poetry. “As I grew older,” he writes, “poetry abandoned me….For a male poet, imagination and tongue-sweetness require a blast of hormones.” Writing in longhand, Hall revels in revising, a process that can entail more than 80 drafts. “Because of multiple drafts I have been accused of self-discipline. Really I am self-indulgent, I cherish revising so much.” These essays circle back on a few memories: the illness and death of his wife, the poet Jane Kenyon, which sent him into the depths of grief; childhood recollections of his visits to his grandparents’ New Hampshire farm, where he helped his grandfather with haying; grateful portraits of the four women who tend to him: his physical therapist, assistant, housekeeper and companion; and giving up tenure “for forty joyous years of freelance writing.”
That sense of joy infuses these gentle essays. “Old age sits in a chair,” writes Hall, “writing a little and diminishing.” For the author, writing has been, and continues to be, his passionate revenge against diminishing.Pub Date: Dec. 2, 2014
ISBN: 978-0544287044
Page Count: 144
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Sept. 15, 2014
Kirkus Reviews Issue: Oct. 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Erudite writing from an author struggling to find meaning through music.
An Ohio-based poet, columnist, and music critic takes the pulse of the nation while absorbing some of today’s most eclectic beats.
At first glance, discovering deep meaning in the performance of top-40 songstress Carly Rae Jepsen might seem like a tough assignment. However, Abdurraqib (The Crown Ain’t Worth Much, 2016) does more than just manage it; he dives in fully, uncovering aspects of love and adoration that are as illuminating and earnest as they are powerful and profound. If he can do that with Jepsen's pop, imagine what the likes of Bruce Springsteen, Prince, or Nina Simone might stir in him. But as iconic as those artists may be, the subjects found in these essays often serve to invoke deeper forays into the worlds surrounding the artists as much as the artists themselves. Although the author is interested in the success and appeal of The Weeknd or Chance the Rapper, he is also equally—if not more—intrigued with the sociopolitical and existential issues that they each managed to evoke in present-day America. In witnessing Zoe Saldana’s 2016 portrayal of Simone, for instance, Abdurraqib thinks back to his own childhood playing on the floor of his family home absorbing the powerful emotions caused by his mother’s 1964 recording of “Nina Simone in Concert”—and remembering the relentlessly stigmatized soul who, unlike Saldana, could not wash off her blackness at the end of the day. In listening to Springsteen, the author is reminded of the death of Michael Brown and how “the idea of hard, beautiful, romantic work is a dream sold a lot easier by someone who currently knows where their next meal is coming from.” In all of Abdurraqib’s poetic essays, there is the artist, the work, the nation, and himself. The author effortlessly navigates among these many points before ultimately arriving at conclusions that are sometimes hopeful, often sorrowful, and always visceral.
Erudite writing from an author struggling to find meaning through music.Pub Date: Nov. 14, 2017
ISBN: 978-1-937512-65-1
Page Count: 288
Publisher: Two Dollar Radio
Review Posted Online: Oct. 1, 2017
Kirkus Reviews Issue: Oct. 15, 2017
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