by Dean Kuipers ‧ RELEASE DATE: May 14, 2019
Lushly detailed and full of eco-devotion, this candid narrative has much to say about human beings bearing burdens, coping,...
Kuipers (Operation Bite Back: Rod Coronado's War to Save American Wilderness, 2009, etc.) returns with a frank, personal, and sometimes-painful account of his fractured family.
The author, who has written about environmental issues for decades, tells a grim but ultimately uplifting story about his family, mostly his father, a serial adulterer in his first marriage but a man whom his three sons loved (despite his dominant personality), a man who eventually, writes Kuipers, became a responsible adult. We learn about his father’s history as well as his two brothers, one of whom has long battled psychological issues. We learn about the women in these men’s lives (more than one divorce) and about their children. But the dominating, unifying factor in their experiences is hunting. Kuipers is quick to assure us—and show us—that they are not mere trophy hunters but rather ecological ones. They eat what they kill, and they kill, it seems, respectfully. (In one scene, the author speaks to a buck he has just shot.) The author’s father believed that if he and his sons restored an old Michigan hunting camp he bought, it would improve their lives—and he was right. Year after year, they have planted, cultivated, and tenderly cared for the land, knowing that doing so would bring back the wildlife. Although the men often bickered and battled verbally with one another, they all eventually recognized the significance of what they created: unity and family. Kuipers alludes often to other writers and thinkers—from ecological scientists and eco-humanists to poets W.S. Merwin and Wendell Berry—and if he sometimes waxes a little spiritual/mystical, it is the magic of the land that animates him.
Lushly detailed and full of eco-devotion, this candid narrative has much to say about human beings bearing burdens, coping, and aiding one another.Pub Date: May 14, 2019
ISBN: 978-1-63557-348-0
Page Count: 304
Publisher: Bloomsbury
Review Posted Online: Feb. 27, 2019
Kirkus Reviews Issue: March 15, 2019
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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