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THE WOMEN OF DAUPHINE

An entertaining fantasy that nicely balances some ghostly melodrama with whimsy, teen wish fulfillment, and coming-of-age...

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Death is no barrier to lesbian love in this YA supernatural romance.

Cassie is a shy, bookish New Orleans junior high student who feels alienated from her churchy parents and almost everything that goes on in school, especially the crushes her classmates are constantly gushing about. Her only real friend is Gem, a girl who looks about 15 years old; likes to wear a Boy Scout shirt, green skirt, and fishnets; and has haunted Cassie’s house for the two decades or so since she was murdered there in 1969. The schoolgirl and the ghost become soul mates and talk about everything, including Gem’s history with a girl named Daze, her “Hellcat” lover in reform school before their relationship ended in blood and fire. Cassie and Gem eventually come out to each other. After Cassie enters high school, they kindle a passion that progresses from making out to sex that is fully carnal (though demurely described) despite Gem’s lack of corporeal substance. Alas, the world just won’t let them be. After she slashes a homophobic bully and tells unbelieving adults about Gem, Cassie is packed off to Chose People Ministries, a coercive Christian therapeutic group that specializes in curing kids of gay sexuality and ghost delusions. There, she is subjected to aversive electroconvulsive treatments while viewing Sapphic pornography and pictures of specters. Jannerson’s (Thanks for Nothing, 2018, etc.) winsome yarn handles its magical realism in a vivid but matter-of-fact, no-jump-scare fashion, with the only horrors being those of religious intolerance and psychiatric abuse. Her treatment of gay sexuality is likewise positive and nonspooky. She nicely evokes the visceral wrongness Cassie feels dancing with a boy—“As the song progressed, Mackey’s hands drifted lower, and a nauseous lump formed in my throat”—and the giddy rightness she feels with Gem. The author at times brings a little too much maturity to the story: 13-year-old Cassie sometimes sounds like a 24-year-old graduate student—“both the activity and the actual notes felt, in the end, disingenuous,” she sighs when kids sign her seventh grade yearbook—and the third act bogs down in mundane relationship issues as college proves a direr threat than electroconvulsive therapy to Cassie and Gem’s love. Still, Jannerson’s appealing characters, deft prose, and psychological insights will hold readers’ attention.

An entertaining fantasy that nicely balances some ghostly melodrama with whimsy, teen wish fulfillment, and coming-of-age lessons.

Pub Date: June 5, 2019

ISBN: 978-1-950412-89-1

Page Count: 229

Publisher: NineStar Press

Review Posted Online: Aug. 23, 2019

Kirkus Reviews Issue: Oct. 1, 2019

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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