Still, there is a bedrock of toponymic glory here, certainly enough to make some readers fall in love with geography.
You don’t have to be a geographer (or a toponymist, to get really specific) to take pleasure in odd place names, and there are far too few gazetteers out there for a new one to come amiss.
Herman’s contribution, then, is welcome, despite its weaknesses. First the strengths: Herman proceeds alphabetically by state, focusing on one curious place name and providing an explanation of its origin (or multiple possible explanations). Another dozen or so humorous place names are noted (with a few given very brief expository treatment), and a number of unusual state facts are delivered. Well and good, but this material, which can easily stand on its own, is bedeviled by a near-desperate striving for laughs. Not content to let the strange place names pull their comic weight, Herman douses them with corniness and puns and running jokes and enough exclamation marks to curl a Monkey’s Eyebrow (that’s in Kentucky). Another weakness is the artwork. Maps are a hotbed for artistic expression, but—except for the cover, which allows for color—Goldman’s maps feel anemic (the place names under discussion are not located on her state maps), scratchy and overly whimsical, with accompanying line drawings that are arbitrary or in anxiously eccentric pursuit of yet more mirth.
Still, there is a bedrock of toponymic glory here, certainly enough to make some readers fall in love with geography. (Nonfiction. 8-12)Pub Date: Sept. 1, 2011
ISBN: 978-1-935279-79-2
Page Count: 120
Publisher: Kane Miller
Review Posted Online: July 27, 2011
Kirkus Reviews Issue: Aug. 15, 2011
BOOK REVIEW
BOOK REVIEW
The balance between information and attractive bookmaking is always important, but atlases like the National Geographic...
Retro-looking maps with pictures of animals, transport, famous landmarks and traditional dancers fill the pages of this mediocre atlas.
The text emphasizes environmental changes and sustainability, with proportionately less information on people. Organizationally, it starts with the oceans, including the two polar areas, and then explores the landmasses. Short, factoid-heavy paragraphs on physical features, climate and weather, natural resources, environment, wildlife and transport accompany each deeply colored map, and in the appropriate regional sections, a paragraph on people and places is added. Although the disproportionately sized pictures of landmarks, natural resources, generic people and miscellany on the maps are identified ("Omani man"; "bus"), too often they are not further explicated. Occasional fold-out pages and small, inserted “Did You Know?” booklets give the illusion of interactivity. Providing comparisons on carbon footprints (“a person in the UAE [United Arab Emirates] on average emits 15 times more than a person in China”) is vital information that seems at odds with the childish maps. A separate wall map (in the same style) is included. The woeful index includes only entries for country names, followed by their capitals.
The balance between information and attractive bookmaking is always important, but atlases like the National Geographic World Atlas for Young Explorers (2007) still remain the gold standard. This struggles to meet the bronze one. (glossary, index, sources; companion app not seen) (Reference. 9-11)Pub Date: Oct. 1, 2011
ISBN: 978-1-84686-333-2
Page Count: 56
Publisher: Barefoot Books
Review Posted Online: Aug. 23, 2011
Kirkus Reviews Issue: Sept. 15, 2011
BOOK REVIEW
This ageless trickster tale has a nicely subversive message, but this rendition lacks the panache to carry it off.
A wooden retelling of Perrault’s classic tale, with underwhelming movable parts.
Gurney embellishes the original plotline only by furnishing the Ogre with a back story (provided in a very small pasted-in booklet) and bestowing names on the kingdom and most of the characters. Her prose stumbles (“Puss pondered over [sic] the problem of Peter’s livelihood”), and her dialogue runs to stilted lines like, “We have seen your idea of work, Peter—it is to sit around all day playing your harmonica and idling.” Illustrator Kelley does his best to add plenty of visual panache, crafting painted scenes featuring a swashbuckling ginger puss plainly akin to the scene stealer from Shrek and cleverly manipulating a Disney-esque human cast. Such movable additions as a turn-able water wheel, a pull tab that makes Puss lick his chops after devouring the ogre and even a culminating pop-up wedding tableau are, at best, routine, and they often feel like afterthoughts, enhancing neither the art nor the story.
This ageless trickster tale has a nicely subversive message, but this rendition lacks the panache to carry it off. (Pop-up fairy tale. 8-10)Pub Date: Oct. 1, 2011
ISBN: 978-0-7641-6485-9
Page Count: 24
Publisher: Barron's
Review Posted Online: Oct. 11, 2011
Kirkus Reviews Issue: Nov. 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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