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THE MOST FAMOUS MAN IN AMERICA

THE BIOGRAPHY OF HENRY WARD BEECHER

An exceptionally thorough and thoughtful account of a spectacular career that helped shape and reflect national...

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Pulitzer Prize Winner


  • National Book Critics Circle Finalist

Beautifully written biography of America’s one best-known preacher, who ingeniously transformed the harsh Calvinism of his famous father into a nurturing, middlebrow faith attractive and accessible to a country prepared to abandon Puritan orthodoxy.

If Henry Ward Beecher (1813–87) is remembered at all today, it’s for a notorious adultery trial near the end of his life. American historian Applegate reminds us, however, that at the height of his career, the likes of Emerson, Whitman, Lincoln and Twain each assumed upon meeting him that Beecher was the greater man. Well-grounded in New England’s doctrinal theology by his father Lyman, “the last great Puritan minister in America,” Henry was disciplined by the competition within his large, talented family (Harriet Beecher Stowe was his sister). After acquiring seasoning from his early pastoral postings in America’s rough west, Beecher brought his dramatic, emotional religious oratory to Plymouth Church in Brooklyn Heights, which he transformed into a tourist attraction. As a traveling lecturer, a popular contributor to newspapers and magazines and even a novelist, he reached millions worldwide. Though a thoroughgoing member of the Establishment, he was also a moderate advocate of certain progressive views (abolition of slavery, women’s suffrage); similarly, his updated version of Christianity made him seem both cutting-edge and reassuring. Beecher’s fame exceeded that of all but a few men of his time, but Applegate’s sensitive, finely calibrated debut suggests that had he not been Lyman’s son, Henry would have chosen a role other than Moral Authority of the Gilded Age. Addicted to the rush of stardom, later to mammon, and throughout his life to the charms of the many women who were entranced by him, Beecher’s eventual fall reverberated throughout the country.

An exceptionally thorough and thoughtful account of a spectacular career that helped shape and reflect national preoccupations before, during and after the Civil War.

Pub Date: June 27, 2006

ISBN: 0-385-51396-8

Page Count: 384

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2006

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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LIVES OTHER THAN MY OWN

The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...

The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.

The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.

Pub Date: Sept. 13, 2011

ISBN: 978-0-8050-9261-5

Page Count: 256

Publisher: Metropolitan/Henry Holt

Review Posted Online: Aug. 10, 2011

Kirkus Reviews Issue: Sept. 1, 2011

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