Ending with a school concert, a wedding and a sense of accomplishment for Daisy, all equally lovely, it will leave readers...

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WITCH BABY AND ME ON STAGE

From the Witch Baby series , Vol. 3

Lily knows her little sister Daisy is a witch.

No one else does, except for Lily’s best friend Vivaldi, and, of course, the Sisters of Hiss (Chin, Nose and Toad), who made Daisy a witch in her cradle. Daisy is currently fighting the idea of toilet training (“ ‘Not dunna poo,’ Daisy lies”) and given to wandering off at night to wreak little witchy havoc. The Sisters of Hiss contemplate finally taking Daisy back, in hilarious alternating chapters, but they want her toilet-trained first. Lily and Daisy’s school is preparing for the musical pageant, in which Lily will play her grandpa’s bagpipes and Daisy will be a monkey. The 400-plus-year-old Hisses face various challenges, most notably when a little girl named Yoshito decides Chin is a fairy godmother and her father is quite smitten. Gliori’s humor, as always in this series, is much concerned with the kind of adorable grossness common to small children, but she also uses typeface changes and completely wacky footnotes to great effect. The pictures are dazzling in their elegant daffiness, like the disembodied hands Daisy thinks will come out of the toilet if she sits on it. Visual and verbal nods to Sendak, Tolkien and others of the canon will delight. It reads aloud gloriously, but it will also be easily digested by daring chapter-book readers with its small page size and clear layout.

Ending with a school concert, a wedding and a sense of accomplishment for Daisy, all equally lovely, it will leave readers wondering how much trouble Daisy can make in the next installment. (Humorous fantasy. 8-12)

Pub Date: Aug. 1, 2011

ISBN: 978-0-552-55679-8

Page Count: 330

Publisher: Corgi Children’s Books/Trafalgar

Review Posted Online: June 28, 2011

Kirkus Reviews Issue: July 1, 2011

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However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

TUCK EVERLASTING

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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A killer thriller.

THREE HOURS IN PARIS

Black takes time out from chronicling the neighborhood-themed exploits of half-French detective Aimée Leduc to introduce a heroine as American as apple pie.

Kate Rees never expected to see Paris again, especially not under these circumstances. Born and bred in rural Oregon, she earned a scholarship to the Sorbonne, where she met Dafydd, a handsome Welshman who stole her heart. The start of World War II finds the couple stationed in the Orkney Islands, where Kate impresses Alfred Stepney of the War Department with the rifle skills she developed helping her dad and five brothers protect the family’s cattle. After unimaginable tragedy strikes, Stepney recruits Kate for a mission that will allow her to channel her newly ignited rage against the Germans who’ve just invaded France. She’s parachuted into the countryside, where her fluent French should help her blend in. Landing in a field, she hops a milk train to Paris, where she plans to shoot Adolf Hitler as he stands on the steps of Sacre-Coeur. Instead, she kills his admiral and has to flee through the streets of Paris, struggling to hook up with the rescuers who are supposed to extract her. Meanwhile, Gunter Hoffman, a career policeman in a wartime assignment with the Reichssicherheitsdienst security forces, is charged with finding the assassin who dared attempt to kill the Führer. It’s hard to see how it can end well for both the cop and the cowgirl. The heroine’s flight is too episodic to capitalize on Black’s skill at character development, but she’s great at raising readers’ blood pressure.

A killer thriller.

Pub Date: April 7, 2020

ISBN: N/A

Page Count: 360

Publisher: Soho Crime

Review Posted Online: May 4, 2020

Kirkus Reviews Issue: May 15, 2020

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SPACE CASE

From the Moon Base Alpha series , Vol. 1

When Dr. Holtz’s body is discovered just outside the lunar colony, everyone assumes he made a mistake putting on his spacesuit—but 12-year-old Dashiell “Dash” Gibson has reason to believe this was no accident.

Earth’s first space base has been a living hell for Dash. There’s not much to do on the moon besides schoolwork and virtual-reality gaming, and there’s only a handful of kids his age up there with him. The chance to solve a murder is exactly the type of excitement Dash needs. As clues are found and secrets are uncovered, Dash comes to understand that some of the base’s residents aren’t what they seem to be. With a small cast of characters supplying an excellent variety of suspects, Gibbs creates the best kind of “murder on a train” mystery. The genius, however, is putting the train in space. Closed quarters and techno–mumbo-jumbo add delightful color to the proceedings. Thankfully, the author doesn’t let the high-concept setting overshadow the novel’s mystery. The whodunit is smartly paced and intricately plotted. Best of all, the reveal is actually worth all the buildup. Thrillers too often fly off the rails in their final moments, but the author’s steady hand keeps everything here on track.

Fully absorbing. (Mystery. 9-12)

Pub Date: Sept. 16, 2014

ISBN: 978-1-4424-9486-2

Page Count: 352

Publisher: Simon & Schuster

Review Posted Online: May 28, 2014

Kirkus Reviews Issue: June 15, 2014

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