by Debora MacKenzie ‧ RELEASE DATE: July 21, 2020
Essential, enlightening reading in a time of panic and plague.
New Scientist journalist MacKenzie serves up a vivid account of the origins and fortunes of coronavirus, warning that worse may be yet to come.
There are several takeaways in this sharp survey of the current (as of this writing) pandemic. The first is that, decidedly, not enough was done—not by China, which failed to alert the world to the arrival of the novel virus until well after it had spread outside the country; and certainly not by the U.S., whose government seemed to want to wish the virus away. “Once public health fails and contagion appears anywhere, it goes everywhere,” writes the author. Even though COVID-19 (whose formal name is SARS-CoV–2) has shown some signs of abating, the pandemic has exposed gaping holes in the public health regimes of countries around the world, with a few exceptions—Hong Kong, for example, locked down early on and endured the plague with only 715 cases and four deaths as of the end of March 2020. Charting the etiology and course of the virus, MacKenzie observes that nearly everything about its origins and spread offers lessons on how not to act when the next pandemic comes. She goes on to warn that another pandemic is sure to come, perhaps soon, probably some variant of bird flu and, in any case, “worse than the one we are fighting now.” The measures she suggests include better monitoring and reporting of emergent diseases, stockpiling supplies such as face masks and antibiotics to combat diseases that are already known to us, developing “surge capacity in manufacturing,” and holding governments accountable for things said and promises made. For the conspiracy theorists in the crowd, MacKenzie also notes that “one thing we can say for sure: Covid-19 was not created in a lab.”
Essential, enlightening reading in a time of panic and plague.Pub Date: July 21, 2020
ISBN: 978-0-306-92424-8
Page Count: 304
Publisher: Hachette
Review Posted Online: May 29, 2020
Kirkus Reviews Issue: June 15, 2020
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Shavone Charles ; illustrated by Ashley Lukashevsky
by Leo Baker ; illustrated by Ashley Lukashevsky
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