“Brave Nachshon,” afraid only of swimming, and his family have been slaves in Egypt for generations. Then Moses speaks of freedom, a dream Nachshon has had all his life. At the “Sea of Reeds,” which sits between the advancing Egyptians and escape, Nachshon is the first to step in, emboldened by the great man’s words of encouragement. It is when he is almost completely submerged that the sea parts and Moses leads his people across. This is a stirring tale of courage and faith, and it reads aloud well. An author’s note provides background for the tale, from brief references to Nachshon from the Torah to a more fully developed story from the Midrash. Jago’s stylized art supplies his characters with Egyptian profiles atop slender bodies; the predominant oranges, yellows and browns, then blues and greens, befit the desert and watery settings, respectively. Knowledgeable readers will miss a recounting of all the plagues visited on the Egyptians as well as the miracle of the waters washing over them. Still, a good addition to the holiday canon. (Picture book/religion. 6-9)
Pub Date: Feb. 1, 2009
ISBN: 978-0-8225-8764-4
Page Count: 32
Publisher: Kar-Ben
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2009
BOOK REVIEW
BOOK REVIEW
Miranda’s book counts the monsters gathering at a birthday party, while a simple rhyming text keeps the tally and surveys the action: “Seven starved monsters are licking the dishes./Eight blow out candles and make birthday wishes.” The counting proceeds to ten, then by tens to fifty, then gradually returns to one, which makes the monster’s mother, a purple pin-headed octopus, very happy. The book is surprisingly effective due to Powell’s artwork; the color has texture and density, as if it were poured onto the page, but the real attention-getter is the singularity of every monster attendee. They are highly individual and, therefore, eminently countable. As the numbers start crawling upward, it is both fun and a challenge to try to recognize monsters who have appeared in previous pages, or to attempt to stay focused when counting the swirling or bunched creatures. The story has glints of humor, and in combination with the illustrations is a grand addition to the counting shelf. (Picture book. 3-8)
Pub Date: Aug. 1, 1999
ISBN: 0-15-201835-2
Page Count: 32
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1999
The leaves have changed, Thanksgiving nears—and the canny turkeys of Squawk Valley have decamped, leaving local residents to face the prospect of a birdless holiday. What to do? They decide to lure a bird back by appealing to its vanity, placing a want ad for a model to help sculptors creating turkey art, then “inviting” the bird to dinner. The ploy works, too, for out of the woods struts plump and perky Pete to take on the job. Shelly debuts with brightly hued cartoon scenes featuring pop-eyed country folk and deceptively silly-looking gobblers. Pete may be vain, but he hasn’t lost the wiliness of his wild ancestors; when the townsfolk come for him, he hides amidst a flock of sculpted gobblers—“There were turkeys made of spuds, / there were turkeys made of rope. / There were turkeys made of paper, / there were turkeys made of soap. / The room was full of turkeys / in a wall to wall collage. / For a clever bird like Pete / it was perfect camouflage.” He makes his escape, and is last seen lounging on a turkey-filled tropical beach as the disappointed Squawk Valleyites gather round the table for a main course of . . . shredded wheat. Good for a few giggles. (Picture book. 6-8)
Pub Date: Sept. 1, 2001
ISBN: 1-890817-91-0
Page Count: 40
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2001
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