by Deborah Burns ‧ RELEASE DATE: April 9, 2019
A profound, searching remembrance that explores a complex family bond.
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Debut author Burns recalls growing up in the shadow of her glamorous mother in this memoir.
The book opens with a description of a recurring nightmare, which the author experienced sporadically over many years following her mother’s death. In it, she fails to call her ill mother, as she’s unable to remember her telephone number. Wracked with guilt, she asks herself, “How could I be such a terrible daughter?” Throughout her relationship with her mom, Burns says, she was always in “chasing mode, in longing pursuit of something fleeting.” Dotty, the author’s parent, was a “spectacular woman everyone thought was a movie star”; she was frequently compared to Rita Hayworth. The memoir reveals that Dotty married into the Canzoneri family, who owned an exclusive country club that was frequented by members of the New York criminal underworld. Dotty dazzled the clientele, and her lifelong passion for socializing resulted in her daughter often being sidelined. The memoir’s title is a reference to the fact that on Saturdays, the author and her mother would spend time together, shopping and having ice cream. Burns addresses how she coped with always playing “second fiddle” to her mom while also feeling “desperate to be loved by her.” She’s a devilishly sharp writer who achieves a masterful balance of psychological excavation and sumptuous description. Here’s her acerbic accounting of her maternal grandfather: “he was a man with no family at all—as if he too had sprouted fully formed, miserable and alone after he ate whoever made him.” However, when it comes to her mother, she rarely moves beyond her image of her as a “goddess.” When describing Dotty’s lifestyle, Burns vividly evokes the glamour of mid-20th-century American high society; for instance, she recalls how her mom “dressed in full regalia for all her public travels…with fitted knee-length pencil skirts and high patent leather heels.” But the most affecting aspect of this memoir is how the author is liberated by confronting her idealized perception of her parent while remaining tender to her memory. (Illustrated with black-and-white family photographs.)
A profound, searching remembrance that explores a complex family bond.Pub Date: April 9, 2019
ISBN: 978-1-63152-547-6
Page Count: 256
Publisher: She Writes Press
Review Posted Online: Jan. 3, 2019
Kirkus Reviews Issue: March 1, 2019
Review Program: Kirkus Indie
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by Bill Walton ‧ RELEASE DATE: March 8, 2016
One of the NBA’s 50 greatest players scores another basket—a deeply personal one.
A basketball legend reflects on his life in the game and a life lived in the “nightmare of endlessly repetitive and constant pain, agony, and guilt.”
Walton (Nothing but Net, 1994, etc.) begins this memoir on the floor—literally: “I have been living on the floor for most of the last two and a half years, unable to move.” In 2008, he suffered a catastrophic spinal collapse. “My spine will no longer hold me,” he writes. Thirty-seven orthopedic injuries, stemming from the fact that he had malformed feet, led to an endless string of stress fractures. As he notes, Walton is “the most injured athlete in the history of sports.” Over the years, he had ground his lower extremities “down to dust.” Walton’s memoir is two interwoven stories. The first is about his lifelong love of basketball, the second, his lifelong battle with injuries and pain. He had his first operation when he was 14, for a knee hurt in a basketball game. As he chronicles his distinguished career in the game, from high school to college to the NBA, he punctuates that story with a parallel one that chronicles at each juncture the injuries he suffered and overcame until he could no longer play, eventually turning to a successful broadcasting career (which helped his stuttering problem). Thanks to successful experimental spinal fusion surgery, he’s now pain-free. And then there’s the music he loves, especially the Grateful Dead’s; it accompanies both stories like a soundtrack playing off in the distance. Walton tends to get long-winded at times, but that won’t be news to anyone who watches his broadcasts, and those who have been afflicted with lifelong injuries will find the book uplifting and inspirational. Basketball fans will relish Walton’s acumen and insights into the game as well as his stories about players, coaches (especially John Wooden), and games, all told in Walton’s fervent, witty style.
One of the NBA’s 50 greatest players scores another basket—a deeply personal one.Pub Date: March 8, 2016
ISBN: 978-1-4767-1686-2
Page Count: 352
Publisher: Simon & Schuster
Review Posted Online: Dec. 18, 2015
Kirkus Reviews Issue: Jan. 1, 2016
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by Bill Walton with Gene Wojciechowski
by Annie Ernaux ; translated by Tanya Leslie ‧ RELEASE DATE: May 12, 1991
A love story, in other words, bittersweet like all the best.
As much about Everywoman as one particular woman, French author Ernaux's autobiographical novel laconically describes the cruel realities of old age for a woman once vibrant and independent.
The narrator, a middle-aged writer, decides that the only way she can accept her mother's death is to begin "to write about my mother. She is the only woman who really meant something to me and she had been suffering from senile dementia for two years...I would also like to capture the real woman, the woman who existed independently from me, born on the outskirts of a small Normandy town, and who died in the geriatric ward of a hospital in the suburbs of Paris.'' And she proceeds to tell the story of this woman—who "preferred giving to everybody rather than taking from them,'' fiercely ambitious and anxious to better herself and her daughter—for whom she worked long hours in the small café and store the family owned. There are the inevitable differences and disputes as the daughter, better educated, rebels against the mother, but the mother makes "the greatest sacrifice of all, which was to part with me.'' The two women never entirely lose contact, however, as the daughter marries, the father dies, and both women move. Proud and self-sufficient, the mother lives alone, but then she has an accident, develops Alzheimer's, and must move to a hospital. A year after her death, the daughter, still mourning, observes, "I shall never hear the sound of her voice again—the last bond between me and the world I come from has been severed.'' Never sentimental and always restrained: a deeply affecting account of mothers and daughters, youth and age, and dreams and reality.
A love story, in other words, bittersweet like all the best.Pub Date: May 12, 1991
ISBN: 0-941423-51-4
Page Count: 112
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1991
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by Annie Ernaux ; translated by Alison L. Strayer
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by Annie Ernaux & Marc Marie ; translated by Alison L. Strayer
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