WIDE OPEN

An interesting plot and compelling characters are dragged down by unwieldy dialogue and a climax in which the action is not...

Coates’ debut novel scores from a reader’s point of view, despite the author’s repetitiveness and clunky writing style.

Hallie Michaels has returned from the war in Afghanistan, but her arrival at the rural South Dakota ranch of her childhood isn’t cause for celebration: She has returned to help bury her older sister, Dell, who died in a fiery crash in what local law enforcement infers was a case of suicide. But Hallie knows that Dell didn’t kill herself, and even though she only has 10 days in which to prove her sister was murdered before returning to her Army post, the sergeant is determined to prove her theory. Of course, Hallie has a little supernatural help in the form of her sister’s ghost, a cold, silent presence that only she can see. While most would be put off when trailed by a ghost, Hallie takes it in stride because she’s also hauling around another ghost named Eddie, a friend killed in Afghanistan. Soon other ghosts join Hallie in her search for her sister’s killer, whose death she is certain is tied to a company owned by Martin Weber. And the ghosts aren’t her only allies because Hallie also finds herself working with a deputy named Boyd, who has secrets of his own. Unsure as to whether Boyd is friend or foe, Hallie circles him with care, while the stakes grow higher and the danger mounts. Eventually, though, Hallie must rely on her own sense of survival, especially when forces she can’t explain try to take her down. Peopled with taciturn characters that pull emotional punches, Coates' book introduces a close-knit community that takes care of its own. However, the characters’ quirky shared propensities for uttering the same four-letter word no matter what the situation handicaps the dialogue.

An interesting plot and compelling characters are dragged down by unwieldy dialogue and a climax in which the action is not adequately explained, suggesting there will be a sequel.

Pub Date: March 13, 2012

ISBN: 978-0-7653-2898-4

Page Count: 320

Publisher: Tor

Review Posted Online: Jan. 21, 2012

Kirkus Reviews Issue: Feb. 1, 2012

Awards & Accolades

Likes

  • Readers Vote
  • 84


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Awards & Accolades

Likes

  • Readers Vote
  • 84


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

Awards & Accolades

Likes

  • Readers Vote
  • 21


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

NINTH HOUSE

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally...

Awards & Accolades

Likes

  • Readers Vote
  • 21


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Yale’s secret societies hide a supernatural secret in this fantasy/murder mystery/school story.

Most Yale students get admitted through some combination of impressive academics, athletics, extracurriculars, family connections, and donations, or perhaps bribing the right coach. Not Galaxy “Alex” Stern. The protagonist of Bardugo’s (King of Scars, 2019, etc.) first novel for adults, a high school dropout and low-level drug dealer, Alex got in because she can see dead people. A Yale dean who's a member of Lethe, one of the college’s famously mysterious secret societies, offers Alex a free ride if she will use her spook-spotting abilities to help Lethe with its mission: overseeing the other secret societies’ occult rituals. In Bardugo’s universe, the “Ancient Eight” secret societies (Lethe is the eponymous Ninth House) are not just old boys’ breeding grounds for the CIA, CEOs, Supreme Court justices, and so on, as they are in ours; they’re wielders of actual magic. Skull and Bones performs prognostications by borrowing patients from the local hospital, cutting them open, and examining their entrails. St. Elmo’s specializes in weather magic, useful for commodities traders; Aurelian, in unbreakable contracts; Manuscript goes in for glamours, or “illusions and lies,” helpful to politicians and movie stars alike. And all these rituals attract ghosts. It’s Alex’s job to keep the supernatural forces from embarrassing the magical elite by releasing chaos into the community (all while trying desperately to keep her grades up). “Dealing with ghosts was like riding the subway: Do not make eye contact. Do not smile. Do not engage. Otherwise, you never know what might follow you home.” A townie’s murder sets in motion a taut plot full of drug deals, drunken assaults, corruption, and cover-ups. Loyalties stretch and snap. Under it all runs the deep, dark river of ambition and anxiety that at once powers and undermines the Yale experience. Alex may have more reason than most to feel like an imposter, but anyone who’s spent time around the golden children of the Ivy League will likely recognize her self-doubt.

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally dazzling sequels.

Pub Date: Oct. 1, 2019

ISBN: 978-1-250-31307-2

Page Count: 448

Publisher: Flatiron Books

Review Posted Online: June 30, 2019

Kirkus Reviews Issue: July 15, 2019

more