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THE POUT-POUT FISH AND THE BULLY-BULLY SHARK

From the Pout-Pout Fish series

Enjoy the playground scenes, but read another book for a better bullying message.

Mr. Fish and his friends find their spines (well, maybe not the octopus or the squid…) when dealing with a shark.

Tummy Tickle Park is the stuff of children’s dreams: swings, monkey bars, a phenomenal slide—and one mean bully of a shark. This meanie repeatedly tells the friends to scram, though strangely, no reason is given or shown as to why he wants the park to himself. The fish don’t leave, instead just flattening themselves to the ocean floor or hiding. “Shark acted badly. / Being mean is wrong. / But I’m just one fish! / Am I really that strong?” Mr. Fish wonders. After the third pass from the shark (and iteration of Mr. Fish’s lament), Mr. Fish finds his strength, especially with his friends swimming beside him. The bullying magically stops when Mr. Fish uses his words (“Bully isn’t who you are, / But it is what you have done”) and demands respect. Facilely, the final scenes show Shark studying etiquette and then joining the fun. While repetition, especially in a rhyming book like this one, can reinforce a book’s message and give listeners an active role in chiming in on the refrains, this one pushes the idea too far, repeating large sections of three different stanzas throughout. Hanna’s artwork is full of humorous details that will keep kids poring over the pages, but the scared expressions on the creatures are a bit forced.

Enjoy the playground scenes, but read another book for a better bullying message. (Picture book. 3-7)

Pub Date: Sept. 5, 2017

ISBN: 978-0-374-30402-7

Page Count: 32

Publisher: Farrar, Straus and Giroux

Review Posted Online: June 13, 2017

Kirkus Reviews Issue: July 1, 2017

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THE END IS JUST THE BEGINNING

A mind-stretching outlook that may help youngsters with change—and will certainly cause them to think.

A cyclical take on life.

Endings can sometimes feel sad or heavy in their finality. But Bender reverses this perspective. In fact, the story starts, as a tiny caterpillar tells readers, with “THE END.” A young tot on a bed closing a book looks puzzled. Bender acknowledges the absurdity. “But wait—how can a book possibly start with the end? That’s ridiculous.” It’s not, once you change your frame of reference. Continuing in a conversational tone, Bender gives examples. Some are personal and immediate: “The end of a disagreement with someone … / is just the beginning of making up.” Others are more abstract: “When you count, the end of one number is just the beginning of the next number… / and so on and so on and so on, all the way to infinity, which, by the way, NEVER ends!” Two friends or perhaps siblings (one with brown skin and brown hair in two Afro puffs, the other with pale skin and straight, black hair) act out the scenarios, which are strung together over the course of a day from one morning to the next. Mayo’s illustrations also dance between concrete and abstract, illustrating disagreement with one kid scowling, sitting back to the other, who looks distressed, next to a ruined sand castle and infinity with an image of the two kids cycling along an enormous infinity sign. In a meta-infused closing, Bender concludes with “THE BEGINNING / (of discovering the next book).” A cleverly placed butterfly flits away. The hazy wash over muted tones gives a warm, cozy embrace to the message. (This book was reviewed digitally with 9-by-18-inch double-page spreads viewed at 48.2% of actual size.)

A mind-stretching outlook that may help youngsters with change—and will certainly cause them to think. (Picture book. 4-7)

Pub Date: April 20, 2021

ISBN: 978-1-984896-93-3

Page Count: 40

Publisher: Crown

Review Posted Online: March 1, 2021

Kirkus Reviews Issue: March 15, 2021

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DOLL-E 1.0

An engaging story arguing for the marriage of technology with creativity and play.

A young girl receives a puzzling gift.

Young Charlotte has always been the most tech-savvy member of her family, helping her mother with a tablet and her father with the smart TV. After Charlotte’s parents observe a news report cautioning against letting kids get “too techy,” the couple presents Charlotte with a doll. The doll doesn’t move or think—it simply sits and utters the word “Ma-ma.” Charlotte reasons that for a doll to talk it must have a power supply, and with a few modifications and a little imagination, Charlotte’s doll becomes Doll-E 1.0. The STEM-friendly narrative is brought to life with charming pencil-and-watercolor illustrations, edited in Photoshop. The scratchy lines are reminiscent of the pictures children like Charlotte sketch at their drawing boards, and the dynamic compositions burst with energy. Charlotte is an engaging character, expressive and thoughtful in equal measure. Charlotte’s doll is adorably rendered, looking mostly like any other common doll but just unique enough that little ones may want one of their own. Charlotte and her family present white; little dog Bluetooth is a scruffy, white terrier.

An engaging story arguing for the marriage of technology with creativity and play. (Picture book. 3-6)

Pub Date: May 1, 2018

ISBN: 978-0-316-51031-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: Feb. 12, 2018

Kirkus Reviews Issue: March 1, 2018

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