A truly absorbing mystery by a writer at the top of her game.
Royce’s murder mystery, involving generational vengeance in the time of Covid-19, would make the ancient Greeks proud.
In 1948, 12-year-old Noelle Huber was brutally murdered in Pittsburgh. The case was never solved; her older brother, Matthew, was a perennial suspect but was never charged. Shift now to Linda Alonso in Palm Beach, Florida. It’s 2020; she and her Argentina-born husband, Miguel, have two young kids and a shaky marriage. Enter “the writer,” whose identity we won’t learn until later. The chapters toggle between “The Wife” (Linda) and “A Writer’s Thoughts.” The writer, we learn—because as the narrator, she tells us so—is a moderately successful mystery writer also living in Palm Beach, a loner and a stalker and more than a little scary. And let us not forget Miguel’s older brother, Diego, who shows up on the Alonsos’ doorstep after many years when he was presumed dead. Royce is a wicked good writer (“Diego had carved out pieces of each of the children’s hearts and inserted himself inside”). Her portrait of Linda Alonso is good, but her portrait of the writer is even more impressively creepy. Shall we call her Nemesis? A very clever gimmick is that the writer is certainly meant to be a stand-in for Royce, the author behind it all. This is meta with a vengeance, a story about telling a story, and fascinating for students of that stuff. Another clever trick is that characters that we have a bias to trust, like Linda, may not be so trustworthy. If this is dirty pool, the reader will have to decide. And there are some serendipitous developments, as the writer is the first to admit. But overall, the gears of this clever plot mesh like those of a Swiss watch. There is some time shifting, but the chronology works out in the end.
A truly absorbing mystery by a writer at the top of her game.Pub Date: Jan. 10, 2023
ISBN: 978-1637584965
Page Count: 320
Publisher: Post Hill Press
Review Posted Online: Nov. 11, 2022
Kirkus Reviews Issue: Jan. 1, 2023
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A rather flat entry in a generally excellent series.
The 25th novel featuring Silva’s legendary protagonist.
During his intersecting careers as art restorer and Israeli spy, Gabriel Allon has tangled with Russian gangsters and al-Qaida terrorists. He has become well-acquainted with operatives in multiple security agencies and befriended a paid assassin. He has busted art thieves and created passable forgeries by Renaissance masters and abstract Modernists. This latest installment centers around his relationship with the pope and a newly discovered painting by Leonardo da Vinci that has gone missing from the Vatican. Silva’s novels tend to fall into two categories: books that reflect the politics of the day and books that don’t. His latest is one of the latter, which could be a treat for readers looking for escape, but it falls flat for a variety of reasons. Luxury has always been part of Gabriel Allon’s universe. It used to be an aspect of tradecraft, though. Allon would be wearing a very expensive suit and driving a very expensive car because he was posing as a client at a Swiss bank. Here, his wife is hosting a catered lunch for 150 of their daughter’s classmates in their apartment overlooking the Grand Canal in Venice. What once felt like a scintillating peek into the world of the obscenely wealthy now just feels…kind of obscene. Similarly, Allon goes chasing after a missing painting as a civilian—he retired from Mossad in Portrait of an Unknown Woman (2022)—the same way another man his age might buy a speedboat or get hair plugs. As the story progresses, the stakes are raised, but it’s hard to forget that Allon is now a middle-aged man pursuing a dangerous hobby, rather than a spymaster leading his intrepid team to prevent a disaster that will disrupt the global order.
A rather flat entry in a generally excellent series.Pub Date: July 15, 2025
ISBN: 9780063384217
Page Count: 416
Publisher: Harper/HarperCollins
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
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