by Deborah Hoffman ; illustrated by Robert Sauber ‧ RELEASE DATE: July 7, 2020
An accessible religious fable accompanied by beautiful images of the natural world.
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A young, struggling tree learns his worth in this debut picture book.
A little tree named Twig is planted at a Southern farm. But he experiences anxiety because he’s different from other trees: “It’s a horrible thing not to feel good about yourself, and Twig definitely did not feel good about himself.” He’s small; he’s a different color; and even as he grows, no buyers ever purchase him to be their Christmas tree. But Mr. B, the farm’s owner, lavishes attention on Twig, telling the tree he saves the best for last. As Mr. B gets ready to go home to the One, the name the trees use for the creator who is celebrated at Christmas, he finally explains why Twig, now grown large, is special. He’s a blue spruce, and he’s not supposed to flourish in such a warm climate. But Mr. B told a friend the One could “make anything grow anywhere,” and Twig was his proof. After Mr. B’s death, the friend, now a believer, creates a park around Twig. Mr. B’s faith and the love he shows for his friend, through Twig, are sure to inspire Christian readers. Hoffman’s choice to narrate from the perspectives of the trees gives children an easy way to grasp the complex issue of religious belief. The lovely illustrations, featuring mostly pale-skinned humans along with a variety of trees and woodland creatures, by watercolor artist Sauber are worth framing.
An accessible religious fable accompanied by beautiful images of the natural world.Pub Date: July 7, 2020
ISBN: 978-1-64543-381-1
Page Count: 48
Publisher: Mascot Books
Review Posted Online: April 29, 2020
Review Program: Kirkus Indie
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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by Alice Walstead ; illustrated by Andy Elkerton ‧ RELEASE DATE: Aug. 2, 2022
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
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