A perfectly pitched celebration of an esteemed author that may nevertheless struggle somewhat to find an audience.
A simple introduction to Jane Austen’s life and work.
Hopkinson’s light, conversational tone and obvious appreciation for her subject combine with Qin’s lively ink-and-watercolor illustrations to create an engaging portrait of this talented writer. The relatively brisk recital of the events of Jane Austen’s life is leavened by insights into her personality and childhood experiences. Realistic vignettes, single-page illustrations, and double-page spreads of Jane and her family accompany and expand the text; generous use of white space and delicate linework give the pictures an airy feel. Unlike Lisa Pliscou and Jen Corace’s practically simultaneously publishing biography (Brave Jane Austen, 2018), potentially distressing details are glossed over, and the narrative focuses on Austen’s early years. No mention is made of Jane’s serious illness as a child or of the Austen family’s financial difficulties. Rather, the focus is on Jane’s appreciation for her father’s extensive library, her pleasure in writing amusing stories for her family to enjoy, and the fun of family theatricals and games. This approach brings Jane endearingly to life for an audience that has likely never heard of her and provides context for the description of her later experiences and lauded writing style. Several pages of backmatter, including a timeline, summaries of Austen’s major works, and additional resources, may be beyond the interest and abilities of most young listeners but share the accessible tone of the text.
A perfectly pitched celebration of an esteemed author that may nevertheless struggle somewhat to find an audience. (bibliography) (Picture book/biography. 6-8)Pub Date: Jan. 23, 2018
ISBN: 978-0-06-237330-4
Page Count: 40
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Oct. 9, 2017
Kirkus Reviews Issue: Nov. 1, 2017
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
Blandly laudatory.
The iconic animator introduces young readers to each “happy place” in his life.
The tally begins with his childhood home in Marceline, Missouri, and climaxes with Disneyland (carefully designed to be “the happiest place on Earth”), but the account really centers on finding his true happy place, not on a map but in drawing. In sketching out his early flubs and later rocket to the top, the fictive narrator gives Ub Iwerks and other Disney studio workers a nod (leaving his labor disputes with them unmentioned) and squeezes in quick references to his animated films, from Steamboat Willie to Winnie the Pooh (sans Fantasia and Song of the South). Eliopoulos incorporates stills from the films into his cartoon illustrations and, characteristically for this series, depicts Disney as a caricature, trademark mustache in place on outsized head even in childhood years and child sized even as an adult. Human figures default to white, with occasional people of color in crowd scenes and (ahistorically) in the animation studio. One unidentified animator builds up the role-modeling with an observation that Walt and Mickey were really the same (“Both fearless; both resourceful”). An assertion toward the end—“So when do you stop being a child? When you stop dreaming”—muddles the overall follow-your-bliss message. A timeline to the EPCOT Center’s 1982 opening offers photos of the man with select associates, rodent and otherwise. An additional series entry, I Am Marie Curie, publishes simultaneously, featuring a gowned, toddler-sized version of the groundbreaking physicist accepting her two Nobel prizes.
Blandly laudatory. (bibliography) (Picture book/biography. 6-8)Pub Date: Sept. 10, 2019
ISBN: 978-0-7352-2875-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: Aug. 17, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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