Probabilities and statistics dominate our lives, yet few of us really understand them; here’s an attempt to shed some light. Bennett (Mathematics/Jersey City State Coll.) uses practical examples to convey the history and nature of her subject. Ancient societies used dice or bones not only for gambling but to decide matters of life and death—on the theory that a random mechanism made the divine will known, without human bias. Old Testament Hebrews drew lots to divide an inheritance—hence the term “lot” for a parcel of land. The I Ching is a more elaborate method of using randomizers (tossed coins or counted yarrow stalks) to solicit divine guidance. A more scientific approach to probability began with the Renaissance; Galileo’s writings about dice show awareness of the concept of equal probability. Bennett spends some time demonstrating the need for careful enumeration of all the possible outcomes in estimating probability. By the 18th century, the concept of random error led to scientists adopting the mean of a series of measurements as the best approach to accuracy. Laplace was the first to formulate the famous bell curve to describe the likely distribution of random events, a model rapidly adopted throughout the sciences. As the science of statistics matured, random numbers were generated as a tool for analyzing the randomness of natural phenomena. Eventually these investigations, often based on “randomly” chosen data such as the heights of convicts, yielded such statistical tools as the chi-square relationship, which often showed that the data were not as random as originally believed. It was not until the 20th century that the notion that yet undiscovered laws would allow exact prediction of all natural phenomena was abandoned by science and true randomness embraced—most strikingly in the form of quantum mechanics and chaos theory. A clear and detailed examination of the role of pure chance, with fascinating historical asides. (32 illustrations, not seen)
Pub Date: May 1, 1998
ISBN: 0-674-10745-4
Page Count: 224
Publisher: Harvard Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1998
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
BOOK REVIEW
IN THE NEWS
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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