An intriguing premise that might have benefited from more heated drama.
After more than 60 years, a woman reconnects with her estranged brother and his family.
Kalb’s novel opens in a festive mood: Howard Pinsky, the patriarch of a Washington, D.C.–area family, has just turned 75. It’s on that day that his older sister, Adele, whom he hasn’t seen in decades, calls him out of the blue. His first reaction is bafflement: “What does one say to a sister one hasn’t seen or spoken to in sixty-four years, he thought hazily.” Adele tells Howard that she’d like to visit, and the novel traces how her presence influences several members of the family in the days and weeks that follow. It’s an eventful time for the family, with one grandchild about to become bar mitzvah and the impending birth of another. Not everyone is thrilled to have Adele there—she alienates Howard's wife, Marilyn, not long after they meet. Gradually, Adele begins providing advice to Howard’s children and grandchildren. She’s also prone to dropping hints to the parts of her life when she was out of touch, as in, “You know, I had a stint on local television. Back in the seventies. I covered all kinds of stories.” She also alludes to vanishing from her brother’s life by saying, “Wouldn’t you want to escape from West Orange?” It’s unclear if there’s some secret underlying some of these events, especially Adele’s leaving home in her teens, her interest in reconnecting with Howard, and her treatment of Marilyn. Kalb instead opts for a less conflict-heavy resolution; there are no grim family secrets or shocking revelations to be found here. Kalb does juggle a large cast of characters well, but the stakes don’t have much impact.
An intriguing premise that might have benefited from more heated drama.Pub Date: July 18, 2023
ISBN: 9781627204491
Page Count: 316
Publisher: Loyola College/Apprentice House
Review Posted Online: Aug. 12, 2023
Kirkus Reviews Issue: Sept. 1, 2023
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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