Young readers will love the moment when Moe turns from snail to human child.
A sweet harangue against the failings of little siblings everywhere.
They are too slow; they are too messy; they take away too much attention from everyone, especially parents. As the protagonist lists little brother Moe’s failings, he appears as a giant snail placidly spooning Cheerios one by one into his mouth and leaving an impressive trail of slime and discarded items in his wake. However, when adults are not around, younger siblings can be fun. It is when the protagonist is alone with Moe that his joyful, exuberant, human-self emerges. Kid Moe runs fast, and his favorite game is tag. He also plays basketball and hopscotch, jumps rope, and climbs the monkey bars. The book is filled with wonderful details: Mom’s raised eyebrows, Dad’s striped socks and no shoes, and the protagonist’s fiercely crossed arms. Slow Moe the snail takes up at least a quarter of the couch, and the stairway carpet drips through the railings (or is that more slime?). Lent Roland, the French edition, publishes simultaneously, and Rachel Martinez’s translation offers some delights absent from the original, such as the title character’s contrast with his 11th-century literary forebear. In either language, the title character reminds readers that we are different people depending upon whom we are with and that familial relationships are complex and simple at the same time. Characters appear to be white.
Young readers will love the moment when Moe turns from snail to human child. (Picture book. 3-7)Pub Date: Sept. 15, 2020
ISBN: 978-1-4598-2352-5
Page Count: 32
Publisher: Orca
Review Posted Online: June 15, 2020
Kirkus Reviews Issue: July 1, 2020
Serve this superbly designed title to all who relish slightly scary stories.
Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.
Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.
Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)Pub Date: Aug. 21, 2012
ISBN: 978-1-4424-0297-3
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: Aug. 1, 2012
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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