A book that fails in its ambition but still offers some provocative nuggets.
A clinical professor of liberal studies at NYU offers close readings of several books plus a discussion of the impact of the Harry Potter series on young readers worldwide.
A more accurate title for this book, part of the publisher’s Literary Agenda series, would have been The Necessity of Speculative Fiction, as Williams confines her exploration to such works, a substantial portion of which are not what many professionals in the field would call YA literature. Drawing heavily on Kwame Anthony Appiah’s Cosmopolitanism, she proffers exegeses of Octavia Butler’s Parable of the Sower and Parable of the Talents; G. Willow Wilson’s Alif the Unseen; Rebecca Roanhorse’s Trail of Lightning and Storm of Locusts; Nancy Farmer’s The House of the Scorpion and The Lord of Opium; Nalo Hopkinson’s Brown Girl in the Ring; and Nnedi Okorafor’s Akata Witch, Akata Warrior, and Akata Woman. Of these titles, only Farmer’s and Okorafor’s were published for a YA audience, though all feature young protagonists. As an argument for the importance of an audience-defined literature, the book is feeble. Nevertheless, Williams’ readings, though at times plodding, are generally not uninteresting. She finds in these texts endorsements of Appiah’s “challenge” to embrace difference as well as repeated themes of the importance of reading broadly and well and of the danger of climate change. The book comes alive in the fourth chapter, entitled “Reading Harry Potter in Abu Dhabi.” It is in conversations with students at NYU’s Abu Dhabi campus, with representation from all over the world, that Williams sees Appiah’s cosmopolitanism in action. These students, many having read the Harry Potter books in translation and often in secret, explore an experience that is “simultaneously local and global” and tussle movingly with J.K. Rowling’s tarnished legacy due to anti-trans comments. Williams doesn’t prove her thesis, but this chapter is where she gets closest to it.
A book that fails in its ambition but still offers some provocative nuggets.Pub Date: June 9, 2023
ISBN: 9780192848970
Page Count: 160
Publisher: Oxford Univ.
Review Posted Online: Feb. 8, 2023
Kirkus Reviews Issue: April 1, 2023
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
Sedaris at his darkest—and his best.
In which the veteran humorist enters middle age with fine snark but some trepidation as well.
Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.
Sedaris at his darkest—and his best.Pub Date: May 29, 2018
ISBN: 978-0-316-39238-9
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
PROFILES
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