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My Sweet Vidalia

An engaging story of overcoming terrible circumstances with temerity and grace.

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In this debut novel, a battered wife in 1950s rural Georgia, aided by an unlikely group of loving souls, finds hidden reserves of strength and self-worth.

The spirit of Cieli Mae, Vidalia Jackson’s stillborn daughter, is the narrator of this tale; Vidalia’s husband, JB Jackson, caused her death by “pummeling” her mother. Vidalia never knows when JB will be home, but she knows that when he does arrive, she’s in for more beatings. JB uses his boyish good looks to get away with his crimes, which also include statutory rape. Vidalia keeps the existence of Cieli Mae a secret, and as the spirit grows, she becomes a witness to her mother’s inner and outer struggles. Despite many beatings, Vidalia manages to give birth to two healthy sets of twins, and she and Cieli Mae look after them with fierce loyalty. Whenever they’re threatened, Vidalia’s strength comes to the fore. She also finds support from the most unlikely places, including JB’s mother, who spends most of her time making excuses for her son but also helps her daughter-in-law regain her strength; Doc Feldman, who offers far more aid and support than required and has a secret of his own; and Ruby Pearl Banks, whose husband was murdered and lynched by local Ku Klux Klan members. Mantella draws each of these characters well, and there’s never a lack of action in the narrative. Some of the book’s colloquialisms (“At forty-some years of age, the doc turned up on the skinny side of just handsome enough”) may throw readers at the start, but they’ll grow to like them as the story goes on. Overall, this work, set in the Deep South in the 1950s and ’60s when battered wives had few rights and little recourse, shows readers how personal growth happens slowly and how strength builds when one has the help of one’s community.

An engaging story of overcoming terrible circumstances with temerity and grace.

Pub Date: Oct. 6, 2015

ISBN: 978-1-63026-962-3

Page Count: 272

Publisher: Turner

Review Posted Online: Dec. 15, 2015

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HOUSE OF LEAVES

The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...

An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.

Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad.  The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized).  As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses).  Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture.  Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."

The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly.  One of the most impressive excursions into the supernatural in many a year.

Pub Date: March 6, 2000

ISBN: 0-375-70376-4

Page Count: 704

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2000

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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