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CREDIBLE

WHY WE DOUBT ACCUSERS AND PROTECT ABUSERS

A trenchant analysis of how flawed notions about credibility fuel a wide variety of societal inequalities.

A legal scholar grapples with the ways in which race, class, and gender affect a sexual assault victim’s credibility—and their ability to access justice. Credibility—or the tendency to be believed—is a form of power meted out entirely unfairly. So argues Tuerkheimer, who coins the phrase “credibility complex,” which she defines as “a cluster of forces” that lead us to believe some individuals over others. She argues that culture and the law intertwine to give women “credibility discounts” and men credibility “inflation.” Socially ingrained discounts not only make it harder for women to win abuse cases in courts of law; it also makes them doubt their own credibility, leading to a nationwide hesitation to file claims. “At its most covert,” writes the author, “the credibility complex leads victims to elevate the perspectives and interests of their abuser above their own.” This means that victims, and others involved in the process, often give abusers “the benefit of the doubt.” The tendency to doubt women is particularly hard on women of color—especially Black women—and women who identify as working class. Tuerkheimer cogently argues that until we examine and address these deep-seated biases, our society will ensure that we never treat sexual assault survivors with the gravity and care they deserve. The book’s analysis is both layered and nuanced, and the language is precise, passionate, and clear. While the author provides detailed explorations of the effects of race and class on sexual assault claims, she offers little acknowledgment of the impacts of disability or queerness on credibility. Particularly glaring is the absence of examples involving trans women, who suffer much higher rates of sexual assault and violence than their cisgendered peers. Still, this book is an important addition to an ongoing conversation. A trenchant analysis of how flawed notions about credibility fuel a wide variety of societal inequalities.

Pub Date: Sept. 28, 2021

ISBN: 978-0-06-300274-6

Page Count: 320

Publisher: Harper Wave

Review Posted Online: July 23, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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