by Deborah Underwood ; illustrated by Claudia Rueda ‧ RELEASE DATE: Jan. 28, 2014
Utterly endearing.
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New York Times Bestseller
An attention-seeking, nap-loving cat hatches a plan to become the Easter Cat so that he will be loved like the Easter Bunny.
The text is arranged as a series of questions from an unseen authority figure. The silent main character, referred to only as Cat, answers the questions through gestures or expressions or by holding up posterlike signs. He magically produces signs, props, costumes and motorcycles in the manner of a cartoon cat, all in the service of his plan to become the Easter Cat. Eventually he meets the real Easter Bunny, who is exhausted from delivering all those eggs without any naps at all. Cat comes up with a new plan: He’ll drive a motorcycle (quite a spectacular Hog) with the Easter Bunny and a sidecar for deliveries and help deliver eggs while the bunny naps. Quirky colored-pencil illustrations complement the whimsical story, with a minimalist illustration on each spread facing a short question or comment from the narrator. The design uses an interesting, old-fashioned typeface and plenty of white space, creating a playful but sophisticated mood that plays on Cat’s contrary personality. After his success at assisting the Easter Bunny, Cat comes up with another idea for the final spread: He tries on a Santa Claus costume that just might predict a sequel.
Utterly endearing. (Picture book. 3-6)Pub Date: Jan. 28, 2014
ISBN: 978-0-8037-3939-0
Page Count: 80
Publisher: Dial Books
Review Posted Online: Feb. 18, 2014
Kirkus Reviews Issue: March 1, 2014
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by Deborah Underwood ; illustrated by Claudia Rueda
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by Peter Brown ; illustrated by Peter Brown ‧ RELEASE DATE: June 24, 2025
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
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What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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by Aaron Reynolds ; illustrated by Peter Brown
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by Aaron Reynolds ; illustrated by Peter Brown
by James Luna & illustrated by Laura Lacámara & translated by Carolina Villarroel ‧ RELEASE DATE: Nov. 30, 2010
The runaway cookie in this Mexican bakery is a soft, brown, stubby-tailed piglet as impertinently bold and smug in his continual escape as his Gingerbread Boy cousin. “Chase me! Chase me down the street. But this is one piggy you won’t get to eat! / ¡Córrele, córrele! ¡Y Córrele más! ¡Soy el cochinito que jamás comerás!” This bouncy dual refrain extends the familiar cumulative text, rendered in both English and Spanish, as piggy manages to elude Marta the baker, Lorenzo the mechanic, Mamá Nita the beautician, Joaquín the telephone repairman and a host of other neighborhood adults—until he is outsmarted by Rosa, a little girl on her way to school, who foxily “helps him” cross the street. Safely tucked into her backpack, piggy is both a welcome surprise and an excuse for Rosa’s lateness to class. Deep opaque acrylic paintings of a colorful barrio and its residents in pursuit add the right amount of cultural flavor to this vivid Latino retelling. Recipe appended. (Picture book. 3-6)
Pub Date: Nov. 30, 2010
ISBN: 978-1-55885-586-1
Page Count: 32
Publisher: Piñata Books/Arte Público
Review Posted Online: Sept. 24, 2010
Kirkus Reviews Issue: Oct. 15, 2010
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by James Luna ; illustrated by Monica Barela-di Bisceglie ; translated by Gabriela Baeza Ventura
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edited by Kurt Schweigman Lucille Lang Day introduction by James Luna
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by James Luna ; illustrated by Thelma Muraida ; translated by Gabriela Baeza Ventura
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