Drag queens may throw some shade at Ogilvy’s wardrobe, but that’s this book’s only flaw.
Clothes do not make the bunny.
When Ogilvy, a bunny of unknown gender, moves to a new town, they are initially excited to play with other bunnies in their neighborhood. But Ogilvy finds themselves the center of unwanted attention because of their attire: a long, knit turtleneck. The local rules are soon broken down: Bunnies in dresses can knit and play baseball, and bunnies in sweaters can create art and go rock climbing. No crossovers allowed. But what is Ogilvy wearing? Is it a dress or a sweater? Ogilvy decides daily it’s one or the other depending on their mood, until run-ins with the unofficial fashion police finally come to a head. In that moment, Ogilvy finds their voice and convinces the town that it’s OK to break the mold and try new things. It’s a strong message told subtly. The book is multifaceted, making it relevant to everyone, but it will particularly resonate with gender-nonconforming kids, transgender kids, nonbinary kids, and kids who are exploring gender fluidity. It does a lot of heavy lifting. Underwood’s rhyming text flows smoothly and adeptly functions without third-person pronouns, making Ogilvy’s particular gender identity a non-issue. McBeth’s illustrations digitally collage knitwear onto cartoon bunnies and match the mood nicely, but it is odd that Ogilvy’s clothes are a duller palette than the other bunnies’.
Drag queens may throw some shade at Ogilvy’s wardrobe, but that’s this book’s only flaw. (Picture book. 5-10)Pub Date: May 21, 2019
ISBN: 978-1-250-15176-6
Page Count: 40
Publisher: Godwin Books
Review Posted Online: March 2, 2019
Kirkus Reviews Issue: March 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
No red—but lots of tooth and claw on display.
Face-to-face introductions to over two dozen creatures it would be better to avoid.
Labeling each predator as either extinct or modern-day, Jenkins arranges his paper-collage portraits—most of them rendered, as usual, with seemingly miraculous realism—in no readily obvious order. Starting off with the cruel-beaked “terror bird” (extinct) of South America and toothy views of a gaping Siberian tiger and T. Rex, he proceeds past African wild dogs (“some of the most successful predators on earth, with nine out of ten hunts ending in a kill”), the electric eel, killer pig Daedon, 48-foot-long (14.5 m) Titanoboa, and like threats to the spiderlike Trigonotarbid, just an inch long (2.5 cm) but 400 million years ago one of the largest predators on land. Then, in true browser-rousing fashion, he proposes several matchups, like the Siberian tiger vs. Utahraptor. Place your bets! Each creature comes with descriptive notes and a small silhouette posed next to a human (“The deadliest predator”) for scale. Measurements for each creature are provided in first English and then metric units. The bibliography includes an unremarkable assortment of reference works and websites.
No red—but lots of tooth and claw on display. (Informational picture book. 6-9)Pub Date: June 6, 2017
ISBN: 978-0-544-67160-7
Page Count: 32
Publisher: HMH Books
Review Posted Online: March 5, 2017
Kirkus Reviews Issue: March 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Innocuous adventuring on the smallest of scales.
The Mouse and the Motorcycle (1965) upgrades to The Mice and the Rolls-Royce.
In Windsor Castle there sits a “dollhouse like no other,” replete with working plumbing, electricity, and even a full library of real, tiny books. Called Queen Mary’s Dollhouse, it also plays host to the Whiskers family, a clan of mice that has maintained the house for generations. Henry Whiskers and his cousin Jeremy get up to the usual high jinks young mice get up to, but when Henry’s little sister Isabel goes missing at the same time that the humans decide to clean the house up, the usually bookish big brother goes on the adventure of his life. Now Henry is driving cars, avoiding cats, escaping rats, and all before the upcoming mouse Masquerade. Like an extended version of Beatrix Potter’s The Tale of Two Bad Mice (1904), Priebe keeps this short chapter book constantly moving, with Duncan’s peppy art a cute capper. Oddly, the dollhouse itself plays only the smallest of roles in this story, and no factual information on the real Queen Mary’s Dolls’ House is included at the tale’s end (an opportunity lost).
Innocuous adventuring on the smallest of scales. (Fantasy. 6-8)Pub Date: Jan. 3, 2017
ISBN: 978-1-4814-6575-5
Page Count: 144
Publisher: Aladdin
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
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