Drag queens may throw some shade at Ogilvy’s wardrobe, but that’s this book’s only flaw.

OGILVY

Clothes do not make the bunny.

When Ogilvy, a bunny of unknown gender, moves to a new town, they are initially excited to play with other bunnies in their neighborhood. But Ogilvy finds themselves the center of unwanted attention because of their attire: a long, knit turtleneck. The local rules are soon broken down: Bunnies in dresses can knit and play baseball, and bunnies in sweaters can create art and go rock climbing. No crossovers allowed. But what is Ogilvy wearing? Is it a dress or a sweater? Ogilvy decides daily it’s one or the other depending on their mood, until run-ins with the unofficial fashion police finally come to a head. In that moment, Ogilvy finds their voice and convinces the town that it’s OK to break the mold and try new things. It’s a strong message told subtly. The book is multifaceted, making it relevant to everyone, but it will particularly resonate with gender-nonconforming kids, transgender kids, nonbinary kids, and kids who are exploring gender fluidity. It does a lot of heavy lifting. Underwood’s rhyming text flows smoothly and adeptly functions without third-person pronouns, making Ogilvy’s particular gender identity a non-issue. McBeth’s illustrations digitally collage knitwear onto cartoon bunnies and match the mood nicely, but it is odd that Ogilvy’s clothes are a duller palette than the other bunnies’.

Drag queens may throw some shade at Ogilvy’s wardrobe, but that’s this book’s only flaw. (Picture book. 5-10)

Pub Date: May 21, 2019

ISBN: 978-1-250-15176-6

Page Count: 40

Publisher: Godwin Books

Review Posted Online: March 2, 2019

Kirkus Reviews Issue: March 15, 2019

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THE WONKY DONKEY

The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

CLAYMATES

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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