Wiles draws on memories of her childhood summers in Mississippi in her first picture book, a slice-of-life story about Joe, a Caucasian boy, and his best friend, John Henry, an African-American boy whose mother works as a housekeeper for Joe’s family. The setting is the Deep South in the summer of 1964, the period called Freedom Summer for its wide-ranging social changes following passage of the Civil Rights Act. Joe and John Henry have spent all their summers together, working around the rampant prejudice of the era and maintaining their friendship even though they can’t swim in the public pool together or walk into the local store to buy a pair of ice pops. When the new law takes effect, the boys race together to the public pool only to find it being filled in with asphalt by city workers. John Henry’s hurt and shame ring true in the text, but Joe’s precocious understanding of the situation outstrips his age. (“I want to see this town with John Henry’s eyes.”) An author’s note at the beginning of the book describes her experiences and the atmosphere in her own hometown during this era, when some white business owners preferred to close down rather than open their doors to African-Americans. Younger children will need this background explanation to understand the story’s underlying layers of meaning, or the filling-in of the swimming pool will seem like a mindless bureaucratic blunder rather than concrete prejudice in action. Teachers and parents could use this book as a quiet but powerful introduction to the prejudice experienced by many Americans, and of course the book is a natural to pair with the story of another, more-famous John Henry. Vibrant full-page paintings by talented French-born artist Lagarrigue capture both the palpable heat of southern summer days and the warmth of the boys’ friendship. (Picture book. 6-12)
Pub Date: Jan. 1, 2001
ISBN: 0-689-83016-5
Page Count: 32
Publisher: Atheneum
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Jan. 1, 2001
An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.
In Florence’s middle-grade fantasy novel, a young girl’s heart is tested in the face of an evil, spreading Darkness.
Eleven-year-old Lydia, “freckle-cheeked and round-eyed, with hair the color of pine bark and fair skin,” is struggling with the knowledge that she has reached the age to apprentice as an herbalist. Lydia is reluctant to leave her beloved, magical Mulberry Glen and her cozy Housetree in the woods—she’ll miss Garder, the Glen’s respected philosopher; her fairy guardian Pit; her human friend Livy; and even the mischievous part-elf, part-imp, part-human twins Zale and Zamilla. But the twins go missing after hearing of a soul-sapping Darkness that has swallowed a forest and is creeping into minds and engulfing entire towns. They have secretly left to find a rare fruit that, it is said, will stop the Darkness if thrown into the heart of the mountain that rises out of the lethal forest. Lydia follows, determined to find the twins before they, too, fall victim to the Darkness. During her journey, accompanied by new friends, she gradually realizes that she herself has a dangerous role to play in the quest to stop the Darkness. In this well-crafted fantasy, Florence skillfully equates the physical manifestation of Darkness with the feelings of insecurity and powerlessness that Lydia first struggles with when thinking of leaving the Glen. Such negative thoughts grow more intrusive the closer she and her friends come to the Darkness—and to Lydia’s ultimate, powerfully rendered test of character, which leads to a satisfyingly realistic, not quite happily-ever-after ending. Highlights include a delightfully haunting, reality-shifting library and a deft sprinkling of Latin throughout the text; Pit’s pet name for Lydia is mea flosculus (“my little flower”). Fine-lined ink drawings introducing each chapter add a pleasing visual element to this well-grounded fairy tale.
An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.Pub Date: Jan. 7, 2025
ISBN: 9781956393095
Page Count: 288
Publisher: Waxwing Books
Review Posted Online: Oct. 14, 2024
Kirkus Reviews Issue: Jan. 1, 2025
Review Program: Kirkus Indie
A fast and funny alternative to the Wimpy Kid.
Black sixth-grader Jake Liston can only play one song on the piano. He can’t read music very well, and he can’t improvise. So how did Jake get accepted to the Music and Art Academy? He faked it.
Alongside an eclectic group of academy classmates, and with advice from his best friend, Jake tries to fit in at a school where things like garbage sculpting and writing art reviews of bird poop splatter are the norm. All is well until Jake discovers that the end-of-the-semester talent show is only two weeks away, and Jake is short one very important thing…talent. Or is he? It’s up to Jake to either find the talent that lies within or embarrass himself in front of the entire school. Light and humorous, with Knight’s illustrations adding to the fun, Jake’s story will likely appeal to many middle-grade readers, especially those who might otherwise be reluctant to pick up a book. While the artsy antics may be over-the-top at times, this is a story about something that most preteens can relate to: the struggle to find your authentic self. And in a world filled with books about wanting to fit in with the athletically gifted supercliques, this novel unabashedly celebrates the artsy crowd in all of its quirky, creative glory.
A fast and funny alternative to the Wimpy Kid. (Fiction. 8-12)Pub Date: March 28, 2017
ISBN: 978-0-553-52351-5
Page Count: 144
Publisher: Crown
Review Posted Online: Dec. 5, 2016
Kirkus Reviews Issue: Dec. 15, 2016
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