A work of understated beauty that will delight both children and the adults who read to them.
This lyrical counting book is a reminder that no matter what they look like, where they live, or whom they call a family, children all around the world live under the same sky.
The book’s first half is a poem that counts from one up to 10, incorporating imagery ranging from two clouds and three songbirds to ten whirligigs. In the second half of the book, the poem counts back down to one, this time starting with nine shadows and culminating with two “sleepyheads” before ending “under one wide sky,” a refrain that repeatedly pulls the text together. While no countries or faiths are named, the characters and locations in the illustrations clearly hail from all over the world. In one illustration, for example, a young boy wears a yarmulke while in another, an image of what appears to be Australia’s Uluru fills the background. The characters include a child who appears Black, a brown-skinned hijabi, and other kids displaying a variety of hair textures and skin colors. The sparse verse, related in couplets, is studded with gorgeous imagery and ingeniously chosen verbs: On one page, for example, the author describes how shadows “butter” the ground. The illustrator’s use of a muted palette lends the pictures a gentle, ethereal feel that ably complements the text.
A work of understated beauty that will delight both children and the adults who read to them. (Picture book. 2-5)Pub Date: June 15, 2021
ISBN: 978-1-68364-633-4
Page Count: 32
Publisher: Sounds True
Review Posted Online: March 30, 2021
Kirkus Reviews Issue: April 15, 2021
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for...
Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion.
“When Oliver found his egg…” on the playground, mint-green backgrounds signifying Oliver’s flight into fancy slowly grow larger until they take up entire spreads; Oliver’s creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate’s yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid’s scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. “But when Oliver found his rock… // Oliver imagined many adventures // with all his friends!” This last is on a double gatefold that opens to show the children enjoying the creature’s slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn’t. (Picture book. 3-5)Pub Date: July 1, 2014
ISBN: 978-1-4231-7573-5
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: May 18, 2014
Kirkus Reviews Issue: June 1, 2014
A funny David-versus-Goliath story with a one-word question serving as the slingshot. (Picture book. 3-5)
Doctor X-Ray, a megalomaniac with an X-ray blaster and an indestructible battle suit, crashes through the ceiling of the local mall.
Innocent patrons scatter to safety. But one curious child gazes directly at the bully and asks: “Why?” At first, Doctor X-Ray answers with all the menace and swagger of a supervillain. The curious child, armed with only a stuffed bear and clad in a bright red dress, is not satisfied with the answers and continues asking: “Why?” As his pale cheeks flush with emotion, Doctor X-Ray peels back the onion of his interior life, unearthing powerful reasons behind his pursuit of tyranny. This all sounds heavy, but the humorously monotonous questions coupled with free-wheeling illustrations by Keane set a quick pace with comical results. At 60 pages, the book has room to follow this thread back to the diabolical bully’s childhood. Most of the answers go beyond a child’s understanding—parental entertainment between the howl of the monosyllabic chorus. It is the digital artwork, which is reminiscent of Quentin Blake’s, that creates a joyful undercurrent of rebellion with bold and loose brush strokes, patches of color, and expressive faces. The illustrations harken to a previous era save for the thoroughly liberated Asian child speaking truth to power.
A funny David-versus-Goliath story with a one-word question serving as the slingshot. (Picture book. 3-5)Pub Date: Oct. 1, 2019
ISBN: 978-1-4521-6863-0
Page Count: 60
Publisher: Chronicle Books
Review Posted Online: June 24, 2019
Kirkus Reviews Issue: July 15, 2019
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