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I SEE THE SUN IN THE USA

From the I See the Sun… series

Well-intended—but woefully inadequate to its task.

The newest in the I See the Sun… series is a paean to American diversity.

During a trip to Mount Rushmore, Stella, a biracial girl with a white mother and Indian-American father, explores how her family differs from others, including: a transracial-transnational adoptive Alabama family with two white moms; a black family from Massachusetts; and a multigenerational, white Iowan family. Stilted, lengthy, first-person narration details her observations and fails in earnest efforts to affirm pluralism. The book presents family trees with inadequately contextualized lineages and later delivers a ham-fisted treatment of Native peoples and history. On the latter note, Stella’s father tells her that “the Lakotas really own the Black Hills where Mt. Rushmore is. The Black Hills are sacred to the tribe, but the United States government won’t allow them to perform their ceremonies there anymore.” This reads as a simplistic aside, since their subsequent trip to the Lakota reservation where she meets a girl named Martha never expands on this cursory commentary about American settler colonialism. The closing, in which Stella’s mother sings “This Land Is Your Land” as a celebration of American diversity, provides a final, resounding note of erasure and insensitivity to Native peoples. The story is followed by backmatter that embraces the fraught term “melting pot” and never acknowledges the tension between American ideals and its history of colonialism and slavery, although it does comment with regret on the rise of nationalism following the 2016 presidential election.

Well-intended—but woefully inadequate to its task. (Picture book. 4-7)

Pub Date: Oct. 15, 2018

ISBN: 978-1-935874-36-2

Page Count: 40

Publisher: Satya House

Review Posted Online: Sept. 1, 2018

Kirkus Reviews Issue: Sept. 15, 2018

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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IT'S NOT EASY BEING A GHOST

From the It's Not Easy Being series

Too cute to be spooky indeed but most certainly sweet.

A ghost longs to be scary, but none of the creepy personas she tries on fit.

Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.

Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)

Pub Date: Aug. 13, 2024

ISBN: 9780593702901

Page Count: 32

Publisher: Random House

Review Posted Online: May 17, 2024

Kirkus Reviews Issue: June 15, 2024

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