Well-intended—but woefully inadequate to its task.
The newest in the I See the Sun… series is a paean to American diversity.
During a trip to Mount Rushmore, Stella, a biracial girl with a white mother and Indian-American father, explores how her family differs from others, including: a transracial-transnational adoptive Alabama family with two white moms; a black family from Massachusetts; and a multigenerational, white Iowan family. Stilted, lengthy, first-person narration details her observations and fails in earnest efforts to affirm pluralism. The book presents family trees with inadequately contextualized lineages and later delivers a ham-fisted treatment of Native peoples and history. On the latter note, Stella’s father tells her that “the Lakotas really own the Black Hills where Mt. Rushmore is. The Black Hills are sacred to the tribe, but the United States government won’t allow them to perform their ceremonies there anymore.” This reads as a simplistic aside, since their subsequent trip to the Lakota reservation where she meets a girl named Martha never expands on this cursory commentary about American settler colonialism. The closing, in which Stella’s mother sings “This Land Is Your Land” as a celebration of American diversity, provides a final, resounding note of erasure and insensitivity to Native peoples. The story is followed by backmatter that embraces the fraught term “melting pot” and never acknowledges the tension between American ideals and its history of colonialism and slavery, although it does comment with regret on the rise of nationalism following the 2016 presidential election.
Well-intended—but woefully inadequate to its task. (Picture book. 4-7)Pub Date: Oct. 15, 2018
ISBN: 978-1-935874-36-2
Page Count: 40
Publisher: Satya House
Review Posted Online: Sept. 1, 2018
Kirkus Reviews Issue: Sept. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
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