Stunning, jewel-toned illustrations in gouache and chalk pastel on mixed-media paper bring a young boy’s imagination to life in this riveting tale. Left on his own on a hot day when the other villagers would rather be napping, Pocu finds a peacock feather in the forest and waves it, creating an imaginary playmate. The first wave makes the air cool; the second makes the flowers bloom; and the third creates “a great murmuring shadow” that speaks, asking for eyes, paws, body, tail, and stripes. The somnolent swishing of the feather in the dark forest coupled with the shadow’s seemingly innocent requests lull readers into the game; but soon the shadow reveals its true identity: a fierce, hungry tiger. Pocu is frightened until he remembers to use his feather. Each wave this time removes claws, paws, and tail, until Pocu finds himself alone again; now it is suppertime and he can go back to the village and join his family. Soft-focus illustrations in intense jades, blues, and browns evoke the deep forest setting; the peacock feather in a shimmery rainbow of colors stands out brightly. The tiger, first nothing but a dark swish, grows into a huge orange creature; the spread showing its ferocious face with its bared fangs is terrifying. Those who have scared themselves thinking about what might be lurking in the basement, in the attic, or out in the woods, will recognize the fun of make-believe fright as well as the welcome realization that the same force that created them can tame the beasts of the imagination. (Picture book. 4-6)
Pub Date: Oct. 1, 2002
ISBN: 0-399-22633-8
Page Count: 32
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2002
Should be packaged with an oxygen supply, as it will incontestably elicit uncontrollable gales of giggles.
Even more alliterative hanky-panky from the creators of The Wonky Donkey (2010).
Operating on the principle (valid, here) that anything worth doing is worth overdoing, Smith and Cowley give their wildly popular Wonky Donkey a daughter—who, being “cute and small,” was a “dinky donkey”; having “beautiful long eyelashes” she was in consequence a “blinky dinky donkey”; and so on…and on…and on until the cumulative chorus sails past silly and ludicrous to irresistibly hysterical: “She was a stinky funky plinky-plonky winky-tinky,” etc. The repeating “Hee Haw!” chorus hardly suggests what any audience’s escalating response will be. In the illustrations the daughter sports her parent’s big, shiny eyes and winsome grin while posing in a multicolored mohawk next to a rustic boombox (“She was a punky blinky”), painting her hooves pink, crossing her rear legs to signal a need to pee (“winky-tinky inky-pinky”), demonstrating her smelliness with the help of a histrionic hummingbird, and finally cozying up to her proud, evidently single parent (there’s no sign of another) for a closing cuddle.
Should be packaged with an oxygen supply, as it will incontestably elicit uncontrollable gales of giggles. (Picture book. 4-6)Pub Date: Nov. 5, 2019
ISBN: 978-1-338-60083-4
Page Count: 24
Publisher: Scholastic
Review Posted Online: Oct. 12, 2019
Kirkus Reviews Issue: Nov. 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The happy and positive message that not all new beginnings are to be feared is a welcome one.
When Miguel leaves the island of Puerto Rico for the mainland U.S., he worries about all the things he’ll miss—most of all, his pet frog, Coquí.
In San Juan, Miguel takes Coquí everywhere: to play baseball with his friends, to visit the pond in the park, to buy his favorite snack at the bakery, or to visit his abuelos. But when his parents tell him they are moving to the mainland, he worries. Won’t he miss Coquí, flying kites, his grandparents, and taking part in Christmas festivities? In New York, Miguel and his mother explore a neighborhood “full of interesting sights, sounds, and people.” And though Spanish words are around them, so too are other unfamiliar languages. Soon they discover a pond with frogs, a food cart selling empanadillas, a baseball field, and a bakery that sells his favorite snack. As Miguel drifts off to sleep he realizes Puerto Rico will always be with him, in his heart—and though some things in New York are different, some are the same. Perez’s illustrations depict a multiethnic, multicultural New York that is just as colorful, vibrant, and upbeat as the city back home. Miguel and his family have light brown skin and dark hair. A Spanish version, De aquí como el coquí, publishes simultaneously, ably translated by Farah Perez.
The happy and positive message that not all new beginnings are to be feared is a welcome one. (Picture book. 4-6)Pub Date: March 16, 2021
ISBN: 978-0-593-10903-8
Page Count: 32
Publisher: Dial Books
Review Posted Online: Dec. 14, 2020
Kirkus Reviews Issue: Jan. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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