A sensual novel about a painter, sparkling with mythological details.
In this debut romantic fantasy, a widow tries to choose between a family man and a globe-trotting teacher, unaware that an ancient predator stalks her.
Painter Tess Morgan lost her husband, Meyer, in a car accident five months ago. She and her 5-year-old daughter, Abby, live in the hauntingly wooded town of Carlisle, in Ontario, Canada. One day, while meeting with Abby’s kindergarten teacher, Tess waits for her friend Thomas, another single parent. Instead, she runs into Carlisle newcomer Bryce Waters, who’s there to meet his niece. Later, in a cafe, Tess experiences a vision of a woman being ravished by a tattooed man with needlelike teeth. The woman, Tess learns, is a local named Sonia MacKinnen who’s been missing for days. That she was recently seen with Bryce doesn’t stop Tess from going to a Halloween party at his lavish estate. She attends dressed as Tuatha Dé Danaan, an Irish fairy, and is smitten when Bryce, a traveling anthropology teacher, can converse about the mythological beings that she paints. Unsurprisingly, when Thomas and Bryce meet at a kindergarten Christmas pageant, they instantly dislike each other. Their competition for Tess sets off an avalanche of revealed secrets that tie the artist to the ancient people of Lemuria—and to the horrifying man from her vision. With a generous wit that readers should savor, Willson presents Tess as a damaged woman desperate to heal. She describes Tess’ childhood with a bipolar mother as “an endless roller coaster of maxed-out credit card highs and Titanic-worthy lows.” The author also spreads her love and knowledge of ancient civilizations on nearly every page. As Thomas and Bryce argue the merits of believing in Atlantis, readers learn that “Troy was myth until 1871, when a German archaeologist discovered it under layers of mountains in Turkey.” The narrative also tackles reincarnation, asking if whether, before humans appeared, souls existed in dinosaurs. In the final third, the point of view changes, somewhat telegraphing where characters might stand in the end. Yet as Willson unfurls more of her world, her series’ immense potential proves irresistible.
A sensual novel about a painter, sparkling with mythological details.Pub Date: April 1, 2016
ISBN: 978-1-925296-16-7
Page Count: 378
Publisher: Driven
Review Posted Online: Jan. 26, 2016
Kirkus Reviews Issue: March 15, 2016
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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