A character-driven book for readers who like their fare on the intense side.
The daughter of a drug-addicted rock star tries to change her life when her uncle sends her to an exclusive prep school.
Pearl’s mom briefly was the Grammy-nominated leader of a band before disintegrating into hopeless drug addiction. Named after the Janis Joplin album, Pearl simply tries to survive with her mother until her mom nearly kills her by accidentally burning down their homeless shelter. Pearl’s rich uncle reluctantly steps in to pay her tuition to the prep school his daughters attended. There, she becomes involved in her dorm’s social life, which includes sneaking out to smoke and drink. She encounters a mix of hostile and supportive classmates and falls for Grant, a romance that’s threatened when Pearl spends the summer in a design institute program with girls who get her seriously involved with drugs. She begins to discover herself in an advanced art class run by an emotionally intense teacher. Will she manage to save herself from her mother’s fate or succumb to it herself? Pearl’s love/hate relationship with her mother threatens to dominate her life unless she can find herself and become free from her past. Hall writes with confidence as she delves ever deeper into her character’s portrayal, just as Pearl tries to paint her own portrait. Pearl’s granular, present-tense narration makes for an introspective, even claustrophobic read.
A character-driven book for readers who like their fare on the intense side. (author’s note) (Fiction. 12-18)Pub Date: March 1, 2016
ISBN: 978-1-5039-4858-7
Page Count: 388
Publisher: Skyscape
Review Posted Online: Jan. 8, 2016
Kirkus Reviews Issue: Jan. 15, 2016
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK TO SCREEN
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