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KIDS RUN THE SHOW

An intelligent and affecting look at the void that lurks inside our social media fantasies of domestic bliss.

The search for a kidnapped child reveals the truth behind her curated onscreen image.

As a child growing up in the French countryside just after the turn of the 21st century, Mélanie Claux finds the only thing that can soothe the empty feeling inside her is watching television, particularly Loft Story, France’s first foray into reality TV. Raised in an emotionally abusive household, Mélanie moves to Paris at the first opportunity. There she attempts to break into the reality television world as a contestant and, when that fails, languishes working at a travel agency until she marries Bruno Diore and has two children, Sammy and Kimmy, who, while beguiling, do nothing to fill the void that is the most central tenet of Mélanie’s life. That is, until Mélanie begins to orchestrate little scenes for the children to enact and uploads the resulting videos to her family YouTube channel. Happy Recess becomes a viral hit, logging several million views per video and earning millions of euros for the family in endorsement contracts and advertising deals, an outcome that seems fair compensation for the near 24-hour visibility the children must endure to keep the channel running. Meanwhile, Clara Roussel grew up in Paris, the daughter of political activists who stormed the filming location of Loft Story in an attempt to free the contestants from their Big Brother–style surveillance. Unlike Mélanie, Clara was raised with care and integrity and brings those values with her into her career as an officer with the Paris Crime Squad. The two women’s lives are thrust together when Kimmy is kidnapped and Clara is called in to investigate. As the kidnapper's demands become more bizarre and the list of suspects lengthens to include practically anyone watching the Happy Recess channel, both women must reckon with the ramifications of living in a world where the most banal details of family life can be packaged and monetized and where the value of human existence is adjudicated not by the actions of the individual but by the reactions of the masses.

An intelligent and affecting look at the void that lurks inside our social media fantasies of domestic bliss.

Pub Date: Nov. 28, 2023

ISBN: 9781609459840

Page Count: 272

Publisher: Europa Editions

Review Posted Online: Sept. 21, 2023

Kirkus Reviews Issue: Oct. 15, 2023

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SECRET OF SECRETS

A standout in the series.

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The sixth adventure of Harvard symbology professor Robert Langdon explores the mysteries of human consciousness, the demonic projects of the CIA, and the city of Prague.

“Ladies and gentlemen...we are about to experience a sea change in our understanding of how the brain works, the nature of consciousness, and in fact…the very nature of reality itself.” But first—Langdon’s in love! Brown’s devoted readers first met brilliant noetic scientist Katherine Solomon in The Lost Symbol (2009); she’s back as a serious girlfriend, engaging the committed bachelor in a way not seen before. The book opens with the pair in a luxurious suite at the Four Seasons in Prague. It’s the night after Katherine has delivered the lecture quoted above, setting the theme for the novel, which features a plethora of real-life cases and anomalies that seem to support the notion that human consciousness is not localized inside the human skull. Brown’s talent for assembling research is also evident in this novel’s alter ego as a guidebook to Prague, whose history and attractions are described in great and glowing detail. Whether you appreciate or skim past the innumerable info dumps on these and other topics (Jewish folklore fans—the Golem is in the house!), it goes without saying that concision is not a goal in the Dan Brown editing process. Speaking of editing, the nearly 700-page book is dedicated to Brown’s editor, who seems to appear as a character—to put it in the italicized form used for Brownian insight, Jason Kaufman must be Jonas Faukman! A major subplot involves the theft of Katherine’s manuscript from the secure servers of Penguin Random House; the delightful Faukman continues to spout witty wisecracks even when blindfolded and hogtied. There’s no shortage of action, derring-do, explosions, high-tech torture machines, attempted and successful murders, and opportunities for split-second, last-minute escapes; good thing Langdon, this aging symbology wonk, never misses swimming his morning laps. Readers who are not already dyed-in-the-wool Langdonites may find themselves echoing the prof’s own conclusion regarding the credibility of all this paranormal hoo-ha: At some point, skepticism itself becomes irrational.

A standout in the series.

Pub Date: Sept. 9, 2025

ISBN: 9780385546898

Page Count: 688

Publisher: Doubleday

Review Posted Online: Sept. 9, 2025

Kirkus Reviews Issue: Nov. 1, 2025

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