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BARNATO'S BODYGUARD

The prolonged life of this enigmatic protagonist makes for a riveting tale.

A Scot with a longer-than-average life span takes a job as a bodyguard and a protector of a diamond-mining business in De Luchi’s adventure novel (Maxwell’s Demons, 2013, etc.), the second in a series.

Alan Roderick, in the late 19th century, is nearly 50 but looks half that. He ages more slowly than most people—and is, in fact, still alive and kicking in 2011. He’s in Africa acting as bodyguard for a journalist when he meets Barney Barnato, who asks Alan to protect him and prevent the theft of diamonds from his mines. But Alan’s relationship with Laura, a thief, and his reluctance to turn her over to the authorities, may tarnish his partnership with his new boss. The book, which ends with the start of yet another narrative, shows snippets from the protagonist’s long life. References to Alan’s past aren’t fully explored, including a cursorily visited conversation between Alan and his similarly afflicted great-great-great grandfather, but there’s plenty of time to learn more in later books—this is only the second in the Damon Maxwell series (Damon is an alias, although Alan uses his real name for most of this outing). The story’s dramatic potential is sometimes lost; for instance, Alan often mocks God but doesn’t explain why. He seems to care for Asha, his housekeeper and sexual conquest, but he only notes her physical attributes. And, when he’s forced to kill someone, he alludes to feelings of remorse but doesn’t appear to genuinely experience them. Alan’s relationship with love interest Laura, however, is deliciously complex. He admits that their connection is impossible to define, and unlike his relationship with Asha, it’s based on more than sex. Alan and Laura have parallels—they both dabble in aliases and occupations—but, in a quaint turn, they’re contradictory in terms of motive: She cons people for her own gain, while Alan fools them to hide his apparent immortality. De Luchi wisely saves a suspenseful scene, in which Alan creeps into a village to protect Barnato, for an exciting denouement.

The prolonged life of this enigmatic protagonist makes for a riveting tale.

Pub Date: July 29, 2013

ISBN: 978-1491080283

Page Count: 254

Publisher: CreateSpace

Review Posted Online: Jan. 6, 2014

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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