A riveting page-turner starring prehistoric beasts; Arthur Conan Doyle’s The Lost World in California.
Set in Yosemite National Park, this fusion of horror, SF, and mainstream thriller involves the discovery of a pack of prehistoric predators believed to be extinct for more than 10,000 years.
After a hiker disappears in Yosemite’s high country, chief park ranger Axten Raymond and his fiancee, Petra Stahl, a world-class rock climber and manager of a nearby camp, set out to find the man. Forced to deal with a significant earthquake—whose epicenter is just 40 miles away—and its aftershocks as well as a looming threat from a group of anti-government militiamen bent on “reclaiming” the park, Raymond and Stahl soon discover the missing hiker is just a precursor to a much larger problem. A pack of dire wolves, existing in a massive subterranean cave system for millennia, has been freed after the earthquake created a new opening. The formidable alpha wolf—“the size of a healthy tiger”—has a grotesque head, “with a blunt, unwolf-like muzzle, and oversize bat-like ears that sit on a lowbrowed, flat head. The animal’s eyes are a sickening pale yellow, bordering on albino, huge, the size of quahogs.” Powered by dark imagery (a mountain peak resembles a “gothic castle in a child’s fable,” and wind whips around a cabin like a “legion of angry harpies”) that complements the narrative’s brutal and bloody tone perfectly, O’Neill’s tale savvily alters the point of view throughout. The story subtly switches from third person to first and second person in places, making the reading experience more emotionally connective and immersive. Examples include: “All we see, at first, are canine-like legs, but larger, thick set, chunked with muscles,” and “You can almost hear the snow melting.” But arguably the tale’s biggest strength lies in the sheer amount of breathtaking, heart-stopping action and adventure, which creates a relentlessly paced, adrenaline-inducing thrill ride that will have readers on the edges of their seats until the very end.
A riveting page-turner starring prehistoric beasts; Arthur Conan Doyle’s The Lost World in California.Pub Date: Aug. 15, 2022
ISBN: 9781638779322
Page Count: 184
Publisher: Off the Common Books
Review Posted Online: June 5, 2022
Review Program: Kirkus Indie
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
This mystery’s promising premise bogs down in an overloaded cast.
When one woman takes on another’s identity to uncover a crime, they both become suspects in a murder.
Aubrey Price and Camille Bayliss come from different worlds, only crossing paths because of the discovery that Camille’s husband, powerful lawyer Ben Bayliss, is hiding something terrible that affects them both. As the novel opens, Aubrey is driving Camille’s Range Rover, then teetering into a bar on Camille’s high heels, with Camille’s dress and credit cards and a wig that mimics Camille’s hair, pretending to be her because Ben tracks his wife’s every move and expenditure, and Camille wants to create a smokescreen while she sneaks into his office in search of evidence of that unnamed secret. But the scheme goes awry, and the women become each other’s alibis after Camille finds Ben murdered in their home. The first part of the book builds suspense and misdirection well, with Aubrey and Ben’s straight-arrow partner, Hank Landry, serving as first-person observers in some chapters while others track Camille. She’s a wealthy and privileged woman but not a happy one, stuck under the thumbs of her husband and her tyrannical father, Randall Everett, who pretty much runs their small Louisiana town. Aubrey was orphaned as a teen when her parents died in a car crash and has proudly fended for herself ever since, coming to depend on her four roommates, who have become friends. But as the cast of characters grows, it seems as if almost everyone in town has a motive for killing Ben, and the piling up of suspects and movements among different timelines can sometimes be confusing. And it all comes to a frustrating end when, after a whole school of red herrings, the solution to Ben’s murder arrives out of far left field.
This mystery’s promising premise bogs down in an overloaded cast.Pub Date: Jan. 13, 2026
ISBN: 9780593834459
Page Count: 352
Publisher: Pamela Dorman/Viking
Review Posted Online: Dec. 10, 2025
Kirkus Reviews Issue: Jan. 15, 2026
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