A nicely crafted portrait of monopolists and muckrakers.
A story of rapacious railroads and angry pens in the Gilded Age.
On May 10, 1869, the rails of the Union and Central Pacific Railroads joined at Promontory Summit, in Utah Territory, creating the first transcontinental railroad. The Central Pacific Railroad soon became the object of public ire. Not only did it fail to bring longed-for prosperity, but the railroad charged unfair rates and suborned lawmakers and regulators; its major backers lacked the common touch and built offensively lavish mansions with their newfound wealth. Washington Post Book World contributing editor Drabelle (Mile-High Fever: Silver Mines, Boom Towns, and High Living on the Comstock Lode, 2009) offers a bright, anecdote-filled account of the rise of the railroad corporations, their corrupt business practices and how through journalism and fiction, two leading authors—Ambrose Bierce and Frank Norris—made the Central Pacific “a symbol of everything that ailed Gilded Age America.” The complex business story involved surveying, overcoming obstacles (weather and cholera), finding laborers, and cajoling investors, including the federal government, which provided massive aid for construction. Rail barons “achieved a near-miracle by building a railroad through some of the roughest terrain in the country,” but they “couldn’t overcome the widespread perception of their company as a monster that threatened the American republic form of government itself.” In more than 60 articles written in the 1890s for William Randolph Hearst’s San Francisco Examiner, Bierce reamed the railroad and its owners. Based on Bierce’s writing and other sources, Norris then wrote The Octopus (1901), a novel about a railroad whose tentacles wrapped around California. Drabelle’s claims for both authors' works seem excessive—he ranks Bierce’s articles with Woodward and Bernstein’s Watergate coverage, and places The Octopus in the company of Moby-Dick—but his chapters on Bierce and Norris make fine introductions to these important but lesser-known American writers.
A nicely crafted portrait of monopolists and muckrakers.Pub Date: Aug. 21, 2012
ISBN: 978-0-312-66759-7
Page Count: 304
Publisher: St. Martin's
Review Posted Online: June 20, 2012
Kirkus Reviews Issue: July 15, 2012
BOOK REVIEW
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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