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THE GREAT AMERICAN RAILROAD WAR

HOW AMBROSE BIERCE AND FRANK NORRIS TOOK ON THE NOTORIOUS CENTRAL PACIFIC RAILROAD

A nicely crafted portrait of monopolists and muckrakers.

A story of rapacious railroads and angry pens in the Gilded Age.

On May 10, 1869, the rails of the Union and Central Pacific Railroads joined at Promontory Summit, in Utah Territory, creating the first transcontinental railroad. The Central Pacific Railroad soon became the object of public ire. Not only did it fail to bring longed-for prosperity, but the railroad charged unfair rates and suborned lawmakers and regulators; its major backers lacked the common touch and built offensively lavish mansions with their newfound wealth. Washington Post Book World contributing editor Drabelle (Mile-High Fever: Silver Mines, Boom Towns, and High Living on the Comstock Lode, 2009) offers a bright, anecdote-filled account of the rise of the railroad corporations, their corrupt business practices and how through journalism and fiction, two leading authors—Ambrose Bierce and Frank Norris—made the Central Pacific “a symbol of everything that ailed Gilded Age America.” The complex business story involved surveying, overcoming obstacles (weather and cholera), finding laborers, and cajoling investors, including the federal government, which provided massive aid for construction. Rail barons “achieved a near-miracle by building a railroad through some of the roughest terrain in the country,” but they “couldn’t overcome the widespread perception of their company as a monster that threatened the American republic form of government itself.” In more than 60 articles written in the 1890s for William Randolph Hearst’s San Francisco Examiner, Bierce reamed the railroad and its owners. Based on Bierce’s writing and other sources, Norris then wrote The Octopus (1901), a novel about a railroad whose tentacles wrapped around California. Drabelle’s claims for both authors' works seem excessive—he ranks Bierce’s articles with Woodward and Bernstein’s Watergate coverage, and places The Octopus in the company of Moby-Dick—but his chapters on Bierce and Norris make fine introductions to these important but lesser-known American writers.

A nicely crafted portrait of monopolists and muckrakers.

Pub Date: Aug. 21, 2012

ISBN: 978-0-312-66759-7

Page Count: 304

Publisher: St. Martin's

Review Posted Online: June 20, 2012

Kirkus Reviews Issue: July 15, 2012

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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