Those seeking depictions of graphic sex and the ins and outs of prostitution will dig Hof’s salacious memoir. Others should...
In this sex-drenched memoir, the proprietor of the Las Vegas brothel the Moonlite BunnyRanch spills his guts about the joys of running a stable of women.
Readers may think that such an individual would be completely unsavory, but as it turns out, he's only partly unsavory. Hof comes across less as a dirty old man—he's even a bit of a romantic, as witnessed by his lifelong pursuit of love—and more as a businessman, albeit one who is acutely aware of how and why his business works. (He was a regular BunnyRanch customer before he took it over in 1993.) Throughout the book, the author brings other voices to the mix to share their experiences of Hof and the BunnyRanch, including celebrity madam Heidi Fleiss, Chicago-based radio personality Mancow, a goodly number of the bunnies, and, most notably, porn legend Ron Jeremy, who infuses the proceedings with his trademark good-natured sleaze. The most emblematic portion of the book is an eight-page section in which Hof teaches Sunny Lane on how to be the finest whore she can be, going into graphic detail about how to get into a john's head and, most importantly, his wallet over and over again. Hof takes himself more seriously than one would expect, considering that one of his nicknames is "the P.T. Barnum of Booty," but that's probably why the BunnyRanch has thrived for the last two-plus decades under his watch—and it shows no sign of slowing down. All readers are aware that sex sells, and Hof unquestionably knows how to sell sex. Whether or not that's a good thing is for readers to decide.
Those seeking depictions of graphic sex and the ins and outs of prostitution will dig Hof’s salacious memoir. Others should steer clear.Pub Date: March 17, 2015
ISBN: 978-1-941393-27-7
Page Count: 352
Publisher: Regan Arts
Review Posted Online: Feb. 23, 2015
Kirkus Reviews Issue: March 15, 2015
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...
The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.Pub Date: Sept. 13, 2011
ISBN: 978-0-8050-9261-5
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
Skloot's meticulous, riveting account strikes a humanistic balance between sociological history, venerable portraiture and...
A dense, absorbing investigation into the medical community's exploitation of a dying woman and her family's struggle to salvage truth and dignity decades later.
In a well-paced, vibrant narrative, Popular Science contributor and Culture Dish blogger Skloot (Creative Writing/Univ. of Memphis) demonstrates that for every human cell put under a microscope, a complex life story is inexorably attached, to which doctors, researchers and laboratories have often been woefully insensitive and unaccountable. In 1951, Henrietta Lacks, an African-American mother of five, was diagnosed with what proved to be a fatal form of cervical cancer. At Johns Hopkins, the doctors harvested cells from her cervix without her permission and distributed them to labs around the globe, where they were multiplied and used for a diverse array of treatments. Known as HeLa cells, they became one of the world's most ubiquitous sources for medical research of everything from hormones, steroids and vitamins to gene mapping, in vitro fertilization, even the polio vaccine—all without the knowledge, must less consent, of the Lacks family. Skloot spent a decade interviewing every relative of Lacks she could find, excavating difficult memories and long-simmering outrage that had lay dormant since their loved one's sorrowful demise. Equal parts intimate biography and brutal clinical reportage, Skloot's graceful narrative adeptly navigates the wrenching Lack family recollections and the sobering, overarching realities of poverty and pre–civil-rights racism. The author's style is matched by a methodical scientific rigor and manifest expertise in the field.
Skloot's meticulous, riveting account strikes a humanistic balance between sociological history, venerable portraiture and Petri dish politics.Pub Date: Feb. 9, 2010
ISBN: 978-1-4000-5217-2
Page Count: 320
Publisher: Crown
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Jan. 1, 2010
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