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COFFEE SHOP MINISTRIES

An often engaging collection of inspirational meetings.

Awards & Accolades

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A Christian man relates stories of random encounters in coffee shops.

The latest from McIntyre (Shackled Yet Free, 2011) is an attempt to capture how serendipitous and sometimes-momentous spiritual events can begin with a simple encounters. The author firmly believes that God uses everyday people as his messengers (“ordinary people to do extraordinary things,” as he puts it), and he’s tried to satisfy what he calls humanity’s “innate desire to fellowship” in coffee shops around the country. In them, he meets people at random, learns their stories, and shares his own. McIntyre espouses a straightforward, fundamentalist Christianity that sees God’s hand in everything, and the book is full of stories that take this point of view; however, they may confuse skeptics, even as they have fellow believers nodding their heads in agreement. The author’s 2-year-old daughter was struck by a neighbor’s car in one story, for instance; fortunately, she wasn’t injured, and McIntyre writes that the driver “was able to stop the vehicle” in time “by divine intervention”; however, he doesn’t address why God would allow the accident to occur at all. “Reaching out to others is not only something worth doing, but it is God’s commandment for us,” he writes, and similarly optimistic affirmations fill the book. An opening assumption that all atheists believe that the universe came “together by accident” is inaccurate, but in general, the author’s compassionate faith that “every one of us has a calling to be a planter” carries the book over its few rough patches. Not all readers will come away convinced that the coincidences that McIntyre describes are heaven-sent, but even doubters may hope to meet him in a coffee shop themselves someday.

An often engaging collection of inspirational meetings.

Pub Date: N/A

ISBN: 978-1-64367-643-2

Page Count: 322

Publisher: Time Tunnel Media

Review Posted Online: Sept. 10, 2019

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DYLAN GOES ELECTRIC!

NEWPORT, SEEGER, DYLAN, AND THE NIGHT THAT SPLIT THE SIXTIES

An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...

Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.

The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.

An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.

Pub Date: July 25, 2015

ISBN: 978-0-06-236668-9

Page Count: 368

Publisher: Dey Street/HarperCollins

Review Posted Online: May 15, 2015

Kirkus Reviews Issue: June 1, 2015

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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