A succinct and sometimes-engaging, if occasionally cloudy, account of a long life.
A debut portrait of a Chinese American woman from Hawaii, compiled from interviews by her son.
Wong presents the story of his mother, Katherine “Katy” C. Wong (1928-2014), in her own words, drawing from conversations that he, her eldest child, conducted in the latter part of her life between 2005 and 2009. She was born in Honolulu, where she worked at her family’s laundry business before graduating high school in 1946. Two years later, she married. She was soon with child, although later, after having multiple children, her doctor advised her husband to refrain from getting her pregnant “all the time,” she said. In 1960, the young family settled in Hayward, California, in the San Francisco Bay Area. There, Katy worked various jobs, including at a Jack LaLanne Hi-Protein bar factory. Later in life, she professed a fondness for gambling (“I play blackjack. I’m good at it”) and she enjoyed giving protein bars away to people when traveling. Along with Katy’s own words, the book also features an array of color and black-and-white images from her life, depicting such things as the first home that she and her husband purchased and travel documents from a trip to China. At fewer than 70 pages in length, including pictures, the memoir moves along very quickly. However, some of her memories lack explanation and detail, perhaps due, in part, to the effects of a stroke, as the editor points out in a preface. She says at one point, for example, that her deceased husband and daughter “can play Japanese cards,” although what this refers to is unclear; she also doesn’t talk in detail about what it was like to work in a Jack LaLanne factory, or what her first impressions of California were. Still, Katy’s statements can carry plenty of emotional weight at times: “I feel sorry that the doctor told him you don’t get Katy upset because she is already downhill.”
A succinct and sometimes-engaging, if occasionally cloudy, account of a long life.Pub Date: Jan. 14, 2019
ISBN: 978-1-949723-53-3
Page Count: 66
Publisher: Bookwhip Company
Review Posted Online: Jan. 29, 2020
Review Program: Kirkus Indie
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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