by Denys Cazet ; illustrated by Denys Cazet ‧ RELEASE DATE: Nov. 27, 2018
Pip’s parting thought is a lesson for all: “Pip wondered what else someone as small as a mouse might know.” It’s...
When an owl stops to consider the words of a mouse, it changes his point of view and improves his swooping skills.
Beware food that talks back! When Pip tries to swoop toward the base of the oak to scoop up a mouse for Rufus’ mush breakfast, he falls on Theodore the mouse instead. “That was more falling than swooping,” the rodent points out. It’s the beginning of a rather lengthy (for one that occurs between someone who is supposed to be catching dinner and someone who is meant to be dinner) conversation (and perhaps friendship). Theodore has given flying a lot of thought, and he shows Pip where he should practice his swooping—above the tallest trees where it’s windiest. Pip flies off with Theodore in his talons to test the hypothesis. Pip’s swooping—and Theodore’s ride—is glorious, the illustrations showing the two above gorgeous sunset scenery. At the end of the flight, though, Rufus’ hooting brings the two back to reality and the problem at hand. Luckily, Theodore has a solution to that as well. Cazet’s pictures have an old-fashioned aesthetic, but there is a somewhat jarring clash between the fairly realistic backgrounds and the cartoon characters. (Theodore’s front stoop, a tidy arched doorway at the base of an old oak tree, is darling, though.)
Pip’s parting thought is a lesson for all: “Pip wondered what else someone as small as a mouse might know.” It’s delightfully elastic, too, for readers encouraged to think beyond the animal kingdom. (Picture book. 4-8)Pub Date: Nov. 27, 2018
ISBN: 978-1-250-17648-6
Page Count: 32
Publisher: Neal Porter/Roaring Brook
Review Posted Online: Aug. 13, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Denys Cazet ; illustrated by Denys Cazet
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by Denys Cazet
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by Denys Cazet ; illustrated by Denys Cazet
by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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by Susan McElroy Montanari ; illustrated by Teresa Martínez ‧ RELEASE DATE: Aug. 6, 2019
Just the thing for anyone with a Grinch-y tree of their own in the yard.
A grouchy sapling on a Christmas tree farm finds that there are better things than lights and decorations for its branches.
A Grinch among the other trees on the farm is determined never to become a sappy Christmas tree—and never to leave its spot. Its determination makes it so: It grows gnarled and twisted and needle-less. As time passes, the farm is swallowed by the suburbs. The neighborhood kids dare one another to climb the scary, grumpy-looking tree, and soon, they are using its branches for their imaginative play, the tree serving as a pirate ship, a fort, a spaceship, and a dragon. But in winter, the tree stands alone and feels bereft and lonely for the first time ever, and it can’t look away from the decorated tree inside the house next to its lot. When some parents threaten to cut the “horrible” tree down, the tree thinks, “Not now that my limbs are full of happy children,” showing how far it has come. Happily for the tree, the children won’t give up so easily, and though the tree never wished to become a Christmas tree, it’s perfectly content being a “trick or tree.” Martinez’s digital illustrations play up the humorous dichotomy between the happy, aspiring Christmas trees (and their shoppers) and the grumpy tree, and the diverse humans are satisfyingly expressive.
Just the thing for anyone with a Grinch-y tree of their own in the yard. (Picture book. 4-8)Pub Date: Aug. 6, 2019
ISBN: 978-1-4926-7335-4
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
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by Susan McElroy Montanari ; illustrated by Jake Parker
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by Susan McElroy Montanari ; illustrated by Brian Pinkney
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