Wonderful setting; rich, colorful cast, headed by a valiant/vulnerable protagonist who makes empathy easy. Impossibly...
Out of post-apartheid South Africa comes a thriller good enough to and nip at the heels of le Carré.
Thobela Mpayipheli is six-foot-three, a giant of a man so (naturally) they call him “Tiny.” During the Struggle, he was an ANC (African National Congress) hero, a ferocious and decorated fighter. But that was then: Tiny’s now is Miriam Nzuluwazi, the “tall, lean, strong and beautiful woman” who kisses him each night when he arrives home from his low-level, low-profile job in Cape Town. Miriam, her small son, their small house, that’s Tiny modest life—and it’s a life he loves. But the advent of a perfectly ordinary woman named Monica Kleintjes sends it crashing. Monica is the daughter of old comrade Johnny Kleintjes, who is in serious trouble, and to whom Tiny owes a debt of honor. If he fails to deliver a certain information-packed disk to a certain blood-thirsty band of terrorists, Johnny's a dead man, Monica tells him, handing him the disk. Tiny, a closet Romantic, as perhaps all great warriors are at their core, believes he has no choice but to accept the mission. Naturally, the disk turns out to be eagerly sought by a variety of inimical entities: among them, the CIA, al Qaeda, and the still fledgling South African government. As he zigzags through Africa on a stolen motorcycle, Tiny, now an object of intense and frequently murderous interest, tries, for the sake of survival, to sort out the conflicting realities governing his situation. He discovers, however, that like the desperate ex-hero on the BMW bike, “the truth is a moving target.”
Wonderful setting; rich, colorful cast, headed by a valiant/vulnerable protagonist who makes empathy easy. Impossibly convoluted, of course—hey, it’s a suspense novel—but fans of the genre won’t want to miss Meyer’s US debut.Pub Date: July 12, 2004
ISBN: 0-316-93549-2
Page Count: 384
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2004
This is secondhand tough-guy stuff, memorable only in that it feels like you've read it all before.
A former mob enforcer–turned–private eye is called in to investigate the savage murder of a Mafia leg-breaker in New York's Hudson Valley and finds himself on the trail of corporate espionage and a serial killer long believed dead.
The second book in Barron's series featuring Isaiah Coleridge (Blood Standard, 2018) seems, more than the debut, an obvious attempt to establish Coleridge as a strongman smartass in the Jack Reacher mold. The fight scenes are the written equivalent of action-movie choreography but without suspense, because the setup—Isaiah being constantly outnumbered—is so clearly a prelude for the no-sweat beat downs he doles out to the various thugs who get in his way. There's nary a memorable wisecrack in the entire book. What does stick in the mind are the sections that go out of their way to be writerly. It's not enough to say that it was a starry night in the Alaskan wilderness. Coleridge (the name is a clue to the series' literary aspirations) says, "I could've read a book by the cascading illumination of the stars." A later flash of insight is conveyed by "The scalpel of grim epiphany sliced into my consciousness." What with the narrative that spreads like spider cracks in glass and the far-too-frequent flashbacks to the man who was Coleridge's mentor, you might wish another scalpel had made its way through the manuscript.
This is secondhand tough-guy stuff, memorable only in that it feels like you've read it all before.Pub Date: May 7, 2019
ISBN: 978-0-7352-1289-3
Page Count: 320
Publisher: Putnam
Review Posted Online: March 3, 2019
Kirkus Reviews Issue: March 15, 2019
BOOK REVIEW
BOOK REVIEW
A proficient but routine thriller in which you can tell for miles in advance who’s disposable and who’s slated for survival,...
The past comes knocking for a former stripper who thought she’d said goodbye to all that in an altogether less-successful distaff reworking of The Innocent (2005).
In some ways, the life Megan Pierce left behind when she stopped giving lap dances and calling herself Cassie was perfect: exciting, glamorous and anything but routine. If only her abusive client Stewart Green hadn’t vanished under circumstances that strongly suggested a violent end, Megan would never have taken a powder, ultimately trading Atlantic City’s La Crème nightclub for the American dream with a lawyer husband, two perfect children and every appliance of the upscale suburban lifestyle. One day, however, Megan—motivated solely, it seems, by the need to kick-start the plot—decides to drop in at La Crème. Her sudden reappearance, together with her old colleague Lorraine Griggs’ sighting of somebody who looks a lot like Stewart and the remarkably similar disappearance exactly 17 years later of construction heir Carlton Flynn, sets in motion a new chain of violence and threatens to reveal all of Megan’s carefully hidden secrets. Eventually she reconnects with her old flame Ray Levine, a photographer who has hit the skids big time, and tells what she knows to Det. Broome of Atlantic City Homicide. But both men’s most protective instincts are challenged by a pair of wholesome killers calling themselves Barbie and Ken—and by the fact that Broome’s own boss is working against him.
A proficient but routine thriller in which you can tell for miles in advance who’s disposable and who’s slated for survival, marked by the virtual absence of the baroque plot twists fans of Coben (Live Wire, 2011, etc.) expect as their due.Pub Date: March 20, 2012
ISBN: 978-0-525-95227-5
Page Count: 384
Publisher: Dutton
Review Posted Online: Feb. 4, 2012
Kirkus Reviews Issue: Feb. 15, 2012
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