This novel, first published in Norway, was worth the wait.
Miller's affecting debut, about a cantankerous Jewish widower transplanted to Norway who becomes party to a hate crime, is an unusual hybrid: part memory novel, part police procedural, part sociopolitical tract and part existential meditation.
Native New Yorker Sheldon "Donny" Horowitz, 82, is a retired watch repairman living in Oslo with his granddaughter Rhea, an architect, and her new Norwegian husband, Lars. She thinks her grandfather is slipping into dementia. Haunted by his experiences as a Marine sniper in the Korean War and by his son Saul's death in Vietnam, Sheldon sometimes has trouble distinguishing between fantasy and reality. He thinks the Koreans are still after him. But he is more strong-willed, decisive and wily than his granddaughter thinks. When a stranger murders the immigrant woman who lives upstairs, Sheldon shelters and then escapes with her young son, fearing the boy is in danger, too. On the run with the boy, who doesn't speak English, the old man deftly talks his way into a pricey Oslo hotel, gives the boy a makeover to disguise him, steals a boat and heads to Rhea's summer home. In close pursuit are the killer, an Albanian war criminal whose rape of the woman led to the birth of her son, and tough-minded Chief Inspector Sigrid Ødegård, a staunch opponent of her country's open-door policy. The novel's stylistic moving parts don't always mesh: The patter between Sigrid and her wisecracking partner, Petter, would be better suited to another novel. But Sheldon, who has never forgiven himself for encouraging his son to go to war like him, boasts an abrasive wit. And Miller, an American living in Oslo (he directs The Policy Lab, an international research group), makes the setting a powerful character as well. Hovering over the narrative is Norway's roundup of its Jewish population during the Nazi occupation—for which, the author points out, the nation didn't formally apologize until 2012.
This novel, first published in Norway, was worth the wait.Pub Date: May 21, 2013
ISBN: 978-0-547-93487-7
Page Count: 304
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Feb. 3, 2013
Kirkus Reviews Issue: Feb. 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
A thoroughly empathetic examination of the fragile human spirit, Backman’s latest will resonate a long time.
In Beartown, where the people are as "tough as the forest, as hard as the ice," the star player on the beloved hockey team is accused of rape, and the town turns upon itself.
Swedish novelist Backman’s (A Man Called Ove, 2014, etc.) story quickly becomes a rich exploration of the culture of hockey, a sport whose acolytes see it as a violent liturgy on ice. Beartown explodes after rape charges are brought against the talented Kevin, son of privilege and influence, who's nearly untouchable because of his transcendent talent. The victim is Maya, the teenage daughter of the hockey club’s much-admired general manager, Peter, another Beartown golden boy, a hockey star who made it to the NHL. Peter was lured home to bring winning hockey back to Beartown. Now, after years of despair, the local club is on the cusp of a championship, but not without Kevin. Backman is a masterful writer, his characters familiar yet distinct, flawed yet heroic. Despite his love for hockey, where fights are part of the game, Peter hates violence. Kira, his wife, is an attorney with an aggressive, take-no-prisoners demeanor. Minor characters include Sune, "the man who has been coach of Beartown's A-team since Peter was a boy," whom the sponsors now want fired. There are scenes that bring tears, scenes of gut-wrenching despair, and moments of sly humor: the club president’s table manners are so crude "you can’t help wondering if he’s actually misunderstood the whole concept of eating." Like Friday Night Lights, this is about more than youth sports; it's part coming-of-age novel, part study of moral failure, and finally a chronicle of groupthink in which an unlikely hero steps forward to save more than one person from self-destruction.
A thoroughly empathetic examination of the fragile human spirit, Backman’s latest will resonate a long time.Pub Date: April 25, 2017
ISBN: 978-1-5011-6076-9
Page Count: 336
Publisher: Atria
Review Posted Online: Feb. 20, 2017
Kirkus Reviews Issue: March 1, 2017
BOOK TO SCREEN
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