The stories spill from Hosseini’s bountiful imagination, but they compete against each other, denying the novel a catalyst;...
After two stellar novels set (mostly) in Kabul, Afghanistan, Hosseini’s third tacks among Afghanistan, California, France and Greece to explore the effect of the Afghan diaspora on identity.
It begins powerfully in 1952. Saboor is a dirt-poor day laborer in a village two days walk from Kabul. His first wife died giving birth to their daughter Pari, who’s now 4 and has been raised lovingly by her brother, 10-year-old Abdullah; two peas in a pod, but “leftovers” in the eyes of Parwana, Saboor’s second wife. Saboor’s brother-in-law Nabi is a cook/chauffeur for a wealthy, childless couple in Kabul; he helps arrange the sale of Pari to the couple, breaking Abdullah’s heart. The drama does nothing to prepare us for the coming leaps in time and place. Nabi’s own story comes next in a posthumous tell-all letter (creaky device) to Markos, the Greek plastic surgeon who occupies the Kabul house from 2002 onwards. Nabi confesses his guilt in facilitating the sale of Pari and describes the adoptive couple: his boss Suleiman, a gay man secretly in love with him, and his wife, Nila, a half-French poet who high-tails it to France with Pari after Suleiman has a stroke. There follow the stories of mother and daughter in Paris, Markos’ childhood in Greece (an irrelevance), the return to Kabul of expat cousins from California and the Afghan warlord who stole the old village. Missing is the viselike tension of the earlier novels. It’s true that betrayal is a constant theme, as it was in The Kite Runner, but it doesn’t work as a glue. And identity? Hosseini struggles to convince us that Pari becomes a well-integrated Frenchwoman.
The stories spill from Hosseini’s bountiful imagination, but they compete against each other, denying the novel a catalyst; the result is a bloated, unwieldy work.Pub Date: May 21, 2013
ISBN: 978-1-59463-176-4
Page Count: 384
Publisher: Riverhead
Review Posted Online: March 2, 2013
Kirkus Reviews Issue: March 15, 2013
PROFILES
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
A thoughtful and pensive tale with intelligent characters and a satisfying romance.
A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.
Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.
A thoughtful and pensive tale with intelligent characters and a satisfying romance.Pub Date: Feb. 26, 2019
ISBN: 978-1-64063-533-3
Page Count: 432
Publisher: Entangled: Amara
Review Posted Online: Jan. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
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