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THE CURSE OF PIETRO HOUDINI

A brilliantly imagined World War II saga.

Orphaned by the Allied bombing of Rome, a 14-year-old boy is taken under the wing of a wily art restorer determined to prevent the Nazis from carting off precious paintings stored at the abbey of Montecassino.

The artist, a pontificating, grandiose soul calling himself Pietro Houdini, gives the boy, Massimo, an eye-opening education in art and survival. He shares his plan of painting over three undiscovered masterpieces by Titian and somehow sneaking them out of the abbey—“the first art heist inside an art heist in the history of the world.” Massimo shocks himself by becoming involved in acts of violence against the Nazis, a number of whom are roaming the abbey among the monks in search of paintings and manuscripts to haul away in trucks. Midway through the novel, Houdini, secretly tormented over a decision he made regarding his activist wife, confesses a family secret and Massimo reveals something even more surprising about himself. Between Nazi atrocities, a wave of rapes by Allied Moroccan troops, and the massive American bombing of Montecassino, gruesome outcomes await a cast of likable characters, leaving us rooting for the battle-hardened teen to make it south to Naples. Miller can be oddly detached from the shootings and stabbings, but he is otherwise a splendid storyteller. Narrated from 40 years in the future, the novel works equally well as wartime tale, heist thriller, coming-of-age story, and sweeping history and art lesson. It’s also a brilliant set piece in which the abbey, “a fortress in the clouds,” is a major character. And let's hear it also for Ferrari, the mule who overcomes injuries to lend his own brand of heroism.

A brilliantly imagined World War II saga.

Pub Date: Jan. 16, 2024

ISBN: 9781668020883

Page Count: 384

Publisher: Avid Reader Press

Review Posted Online: Sept. 22, 2023

Kirkus Reviews Issue: Oct. 15, 2023

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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MORE THAN ENOUGH

Though uneven, this is still a pleasurable, comforting read.

Infertility, family secrets, and alpacas all figure in Quindlen’s latest meditation on mothering and domesticity.

Polly’s life looks enviable. Happily married to the adoring Mark—a vet at the Bronx Zoo—she teaches English at a private Manhattan girls’ school and loves her work. She has a protective older brother and close girlfriends, who’ve formed a book club where no one is expected to read the book. But Polly desperately wants a child and, at 42, knows time is running out. She and Mark have gone through endless fertility treatments, to no avail. Meantime, Polly’s friends have given her a DNA kit as a jokey birthday gift, and something mysterious shows up in the test results. Then, out of nowhere, a young woman contacts her, suggesting they may be related. That’s not all: Polly feels estranged from her mother, a revered judge who’s insufficiently maternal in her daughter’s view. Her father has always cherished her, but he’s in a nursing home now with a rapidly failing mind. And something is amiss with her best pal, Sarah. Quindlen’s trademark empathy is evident throughout, and her wry humor leavens some of the serious goings-on. Early on, Mark and Polly visit a fertility clinic with photos of babies in the waiting room; for Polly, “it felt…like a Weight Watchers facility with hot fudge sundae pictures on the wall.” Then we meet these charming alpacas, humming and pronking, on a farm run by an earth mother, whose wisdom will help Polly get on with her life. The plot swerves around a bit, there may be one surplus narrative thread (e.g., Polly’s star student Josephine running aground after graduation), and at the end, the author ties things up too neatly, pushing the “circle of life” theme too hard.

Though uneven, this is still a pleasurable, comforting read.

Pub Date: Feb. 24, 2026

ISBN: 9780593734605

Page Count: 256

Publisher: Random House

Review Posted Online: Nov. 22, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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