Haunted by a Saddam Hussein henchman's coldblooded execution of a young Shiite girl, British war reporter Thomas Benton and ex–GI Arwood Hobbes reunite in Iraq 22 years later to investigate the unlikely possibility that she is alive.
The unlikely duo first meet in 1991, during the uneasy cease-fire following the first Gulf War. The 22-year-old Hobbes is on patrol at Checkpoint Zulu, 150 miles from the Kuwaiti border. Benton is on the prowl for unsanctioned information about ongoing conflicts. During an attempt to rescue Benton from a dangerous situation in a nearby town, the fearless (and feckless) Hobbes spots a frightened girl in a green dress and tries to get her out of harm's way as well. But a Baathist colonel, with Hobbes' gun pointed at his head—and in full view of U.S. soldiers—shoots her in the back. After beating up a lieutenant who berates him for daring to get involved in local matters, Hobbes is sent home without honor. Benton returns to an unhappy home life in England following a meaningful one-night fling with Märta, a sexy and stoic Swedish relief worker. In 2013, out of the blue, Hobbes invites the now-63-year-old reporter to join him in Kurdistan, convinced he saw their girl in green on Al Jazeera escaping a mortar attack. Her existence, or lack thereof, speaks to the fact that everything has changed in Iraq, and nothing has changed. The new emerging threat is ISIS, but the same grudge fights are being fought, scores of innocents are still on the run, and Westerners like our heroes are still getting abducted. As in his acclaimed debut, Norwegian by Night (2013), Miller brilliantly blends offbeat reflection and dark emotion, using pop-culture references ranging from Ferris Bueller to Winnie the Pooh to underscore the killing ironies of war.
A penetrating, poetic, and unexpectedly disarming book about the ageless conflict in the Middle East by a writer who has made that topic his specialty.Pub Date: Jan. 3, 2017
ISBN: 978-0-544-70625-5
Page Count: 336
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Oct. 5, 2016
Kirkus Reviews Issue: Oct. 15, 2016
Categories: LITERARY FICTION | SUSPENSE | SUSPENSE
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
75
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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 10, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK REVIEW
BOOK TO SCREEN
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 6, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Categories: GENERAL THRILLER & SUSPENSE | SUSPENSE | FAMILY LIFE & FRIENDSHIP | SUSPENSE
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