Haunted by a Saddam Hussein henchman's coldblooded execution of a young Shiite girl, British war reporter Thomas Benton and ex–GI Arwood Hobbes reunite in Iraq 22 years later to investigate the unlikely possibility that she is alive.
The unlikely duo first meet in 1991, during the uneasy cease-fire following the first Gulf War. The 22-year-old Hobbes is on patrol at Checkpoint Zulu, 150 miles from the Kuwaiti border. Benton is on the prowl for unsanctioned information about ongoing conflicts. During an attempt to rescue Benton from a dangerous situation in a nearby town, the fearless (and feckless) Hobbes spots a frightened girl in a green dress and tries to get her out of harm's way as well. But a Baathist colonel, with Hobbes' gun pointed at his head—and in full view of U.S. soldiers—shoots her in the back. After beating up a lieutenant who berates him for daring to get involved in local matters, Hobbes is sent home without honor. Benton returns to an unhappy home life in England following a meaningful one-night fling with Märta, a sexy and stoic Swedish relief worker. In 2013, out of the blue, Hobbes invites the now-63-year-old reporter to join him in Kurdistan, convinced he saw their girl in green on Al Jazeera escaping a mortar attack. Her existence, or lack thereof, speaks to the fact that everything has changed in Iraq, and nothing has changed. The new emerging threat is ISIS, but the same grudge fights are being fought, scores of innocents are still on the run, and Westerners like our heroes are still getting abducted. As in his acclaimed debut, Norwegian by Night (2013), Miller brilliantly blends offbeat reflection and dark emotion, using pop-culture references ranging from Ferris Bueller to Winnie the Pooh to underscore the killing ironies of war.
A penetrating, poetic, and unexpectedly disarming book about the ageless conflict in the Middle East by a writer who has made that topic his specialty.Pub Date: Jan. 3, 2017
ISBN: N/A
Page Count: 336
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Oct. 5, 2016
Kirkus Reviews Issue: Oct. 15, 2016
Categories: LITERARY FICTION | SUSPENSE | SUSPENSE
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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 10, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.
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Inseparable identical twin sisters ditch home together, and then one decides to vanish.
The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.
Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.Pub Date: June 2, 2020
ISBN: 978-0-525-53629-1
Page Count: 352
Publisher: Riverhead
Review Posted Online: March 15, 2020
Kirkus Reviews Issue: April 1, 2020
Categories: LITERARY FICTION | GENERAL FICTION
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SEEN & HEARD
SEEN & HEARD
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