In the immediate wake of the Civil War, a family heads to Montana in search of gold.
Annabelle loses her husband in the Civil War, and all her brothers die fighting for the Confederate side as well. Federal tax collectors ravage her considerable inheritance, and she decides to leave Charleston, South Carolina, for Montana with her family to start a new life. Her clan is led to Montana by a former Union colonel and Josey Angel, a Union soldier infamous for his proficiency in killing his adversaries. The colonel decides to lead the wagon train along the Bozeman Trail, a passage that counts as a shortcut but remains notoriously dangerous. They risk encountering deadly snakes, hostile Native Americans, and vicious bandits—Josey’s primary task is to keep the group safe. At first, Annabelle is intimidated by his dark reputation and aloofness but is overwhelmed by curiosity; there seems to be more to this man than a knack for violence. He can be not only gentlemanly, but thoughtful as well, and he is clearly burdened by the memories of savage conflict, of things seen and done. Debut novelist and career journalist Catron poignantly captures Josey’s wounded soul that resists a full plunge into cynicism: “Josey never much questioned the morality of the killing because he never expected to outlive the war. The way he saw things, a number needed to die before both sides lost their taste for it.” Annabelle is haunted by her own loss, and gradually she and Josey develop a bond that flirts with romance. And Josey’s skills as a soldier are sure to be tested soon—a band of mysterious horsemen furtively tracks the group, promising an imminent confrontation. The story takes place in 1866, barely a year after the end of the Civil War, and the resentment that remains is palpable. Annabelle is bitterly unforgiving of the sacrifice of her husband and brothers and of the destruction caused by Gen. William Tecumseh Sherman’s ferocious march through the South. Affectingly written, the bond between Annabelle and Josey is a first gesture toward forgiveness and a hopeful sign of the possible reconciliation of the two battle-weary halves of the nation. This is an unsentimental but moving tale, composed with emotional intelligence and historical insight. A timeless tale of love and adventure on the American frontier.
Pub Date: Aug. 17, 2016
ISBN: 978-1-4328-3280-3
Page Count: -
Publisher: Five Star
Review Posted Online: July 28, 2016
Kirkus Reviews Issue: Sept. 15, 2016
Review Program: Kirkus Indie
BOOK REVIEW
An impressive addition to the library of historical fiction on the Civil War, worthy of a place alongside The Killer Angels,...
A thunderous, action-rich first novel of the Civil War, based on historical fact.
Music publisher Hicks treats a long-overlooked episode of the war in this account of the Battle of Franklin, Tenn., which took place in November 1864 near Nashville. As a field hospital is pitched in her field, Carrie McGavock, an iron-spined farm woman and upstanding citizen of the town, takes it upon herself to tend after the Confederate wounded; later, she and her husband will rebury 1,500 of the fallen on their property. Hicks centers much of the story on Carrie, who has seen her own children die of illness and who has endurance in her blood. “I was not a morbid woman,” Carrie allows, “but if death wanted to confront me, well, I would not turn my head. Say what you have to say to me, or leave me alone.” Other figures speak their turn. One is a young Union officer amazed at the brutal and sometimes weird tableaux that unfold before him; as the bullets fly, he pauses before a 12-year-old rebel boy suffocating under the weight of his piled-up dead comrades. “Suffocated. I had never considered the possibility,” young Lt. Stiles sighs. Another is an Arkansas soldier taken prisoner by the Yankees: “I became a prisoner and accepted all the duties of a prisoner just as easily as I’d picked up the damned colors and walked forward to the bulwarks.” Yet another is Nathan Forrest, who would strike fear in many a heart as a Confederate cavalryman, and later as the founder of the Ku Klux Klan. Hicks renders each of these figures with much attention to historical detail and a refreshing lack of genre cliché, closing with a subtle lament for the destruction of history before the bulldozer: “One longs to know that some things don’t change, that some of us will not be forgotten, that our perambulations upon the earth are not without point or destination.”
An impressive addition to the library of historical fiction on the Civil War, worthy of a place alongside The Killer Angels, Rifles for Watie and Shiloh.Pub Date: Sept. 1, 2005
ISBN: 0-446-50012-7
Page Count: 404
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2005
BOOK REVIEW
BOOK REVIEW
An ambitious look at how women’s roles have changed—and stayed the same—over the last 70 years.
A sprawling story about two sisters growing up, apart, and back together.
Jo and Bethie Kaufman may be sisters, but they don’t have much else in common. As young girls in the 1950s, Jo is a tomboy who’s uninterested in clothes while Bethie is the “pretty one” who loves to dress up. When their father dies unexpectedly, the Kaufman daughters and their mother, Sarah, suddenly have to learn how to take care of themselves at a time when women have few options. Jo, who realizes early on that she’s attracted to girls, knows that it will be difficult for her to ever truly be herself in a world that doesn’t understand her. Meanwhile, Bethie struggles with her appearance, using food to handle her difficult emotions. The names Jo and Beth aren’t all that Weiner (Hungry Heart, 2016, etc.) borrows from Little Women; she also uses a similar episodic structure to showcase important moments of the sisters’ lives as she follows them from girlhood to old age. They experience the civil rights movement, protests, sexual assault, drugs, sex, and marriage, all while dealing with their own personal demons. Although men are present in both women's lives, female relationships take center stage. Jo and Bethie are defined not by their relationships with husbands or boyfriends, but by their complex and challenging relationships with their mother, daughters, friends, lovers, and, ultimately, each other. Weiner resists giving either sister an easy, tidy ending; their sorrows are the kind that many women, especially those of their generation, have had to face. The story ends as Hillary Clinton runs for president, a poignant reminder of both the strides women have made since the 1950s and the barriers that still hold them back.
An ambitious look at how women’s roles have changed—and stayed the same—over the last 70 years.Pub Date: June 11, 2019
ISBN: 978-1-5011-3348-0
Page Count: 480
Publisher: Atria
Review Posted Online: March 17, 2019
Kirkus Reviews Issue: April 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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