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A SEPARATE COUNTRY

Expertly written, with plenty of unexpected twists—a pleasure for Civil War buffs, but also for fans of literary mysteries.

A tale of mixed-up foolscap, dark secrets, a dwarf and a wharf.

Tennessee-based Hicks, who debuted with a Civil War novel (The Widow of the South, 2005), ventures here into Reconstruction-era New Orleans. His hero is real-life Confederate warrior John Bell Hood (for whom the Texas fort is named), who settled after the Cause was Lost in New Orleans, where he had 11 children and otherwise kept busy. In Hicks’ tense and tasty account, one of Bell’s occupations is fending off the plague of unwanted characters who seek in one way or another to capitalize on his wartime renown. One is a mysterious chap named Sebastien Lemerle, a companion at arms from antebellum days. “In Texas I was young,” Hood remembers. “I wanted to fight. I wanted to fight Comanche. Sebastien Lemerle and his squad came with me.” For his sins, Hood gets his wish, and plenty more fights to boot. Somewhere along the way he also earns the continued attentions of Lemerle, who comes sniffing around Hood’s door all these years after the Civil War has ended. Not far behind is a “little man” named Rintrah who has his fingers in many a pie, as well as a priest decidedly not on priestly business and a few assorted members of the proto-KKK, to say nothing of the foppish Beauregard, gone from Civil War hero to New Orleans wheeler-dealer and publisher, in whose hands is a manuscript of Hood’s that Hood does not wish to be there. Thus the plot thickens, and Hicks spins a taut tale, told in many voices, of tangled webs, vengeance and other unfinished business.

Expertly written, with plenty of unexpected twists—a pleasure for Civil War buffs, but also for fans of literary mysteries.

Pub Date: Sept. 23, 2009

ISBN: 978-0-446-58164-6

Page Count: 424

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2009

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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