Brilliant truths about smart lads in the days before smart bombs.
Armed but not yet dangerous, Britain’s bomber pilots grope their way to a strategy in early WWII.
Authenticity and a sneaky style that mixes borderline cliché and brutal truth distinguish this rather subversive take on a story of inept but heroic flying. Robinson (Kentucky Blues, p. 1501, etc.) has been shortlisted for the Booker (Goshawk Squadron, 1971), something of a triumph for readers who feel that the writing in the “genres” can be not only more readable but more intelligent than much literary fiction. Robinson’s trick here is to slip a raw and unpleasant truth (early British bombing was laughably ineffective) in amongst the antic comings and goings of gallant but frighteningly young pilots. The artistry is largely invisible, and the superb soundness of the facts impossible to miss. An ex-RAF fighter pilot, Robinson went back to the original documents and to the flyers themselves to reconstruct the chaotic battle waged by Britain’s poorly protected and poorly led bomber pilots, who were not only getting decimated by the Germans but badly losing the p.r. battle to the much-ballyhooed fighters in the Battle of Britain. While the newspapers were reporting gloriously effective raids on German ports and factories, the truth, as carefully sorted out by Flight Lieutenant “Skull” Skelton, Intelligence Officer of 409 Squadron, was that the boys were mostly dropping their bombs on empty spaces more often than not miles from their targets. Skelton’s battle with the facts, and the Bomber Command’s weird reluctance to deal with its losses, are just two of the stories here. Among others: the hasty marriage of a penniless pilot to a rich aristocrat, the adventures of a film team, the borrowing of a Bentley, and the findings of a brilliant young investigator with a direct link to Churchill. Readers be warned: appealing characters get shot down and die. It’s war, and Robinson never lets you forget it.
Brilliant truths about smart lads in the days before smart bombs.Pub Date: March 1, 2003
ISBN: 0-304-36310-3
Page Count: 316
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2002
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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