Its heart’s in the right place….
Meet some popular (and amazing) individuals involved with the LGBTQ+ rights movement.
Twelve-year-old drag artist Desmond is Amazing narrates this glimpse into popular names and faces that make up the recent history of queer rights in the U.S. Along the way, the author introduces himself (“I like to play video games, read, sing, collect toy trains, dance, and model. I enjoy going to school and have many friends”) and his drag inspirations. Following a brief glimpse at life before the Stonewall riots, readers learn about this historic uprising. Important figures from this time period, including Marsha P. Johnson and Sylvia Rivera, are introduced; RuPaul also warrants a double-page spread a little later on. Additional names and faces appear, such as Pepper Labeija, Stormé DeLarverie, James Baldwin, and Laverne Cox, but only as labeled portraits; it will be up to readers to seek out more information. No drag queen likes to be upstaged, but that’s what happens with Glynn’s artwork. The bright, bold colors evoke the energy of fingerpainting and add much-needed depth and vibrancy to the work. It’s a jolt of energy, doing its best to elevate a pedestrian text: “We look back on those who took a stand at the Stonewall Riots as heroes who should be celebrated for giving LGBTQ people, like me, the freedoms we enjoy today.”
Its heart’s in the right place…. (author’s note, glossary, sources) (Informational picture book. 6-10)Pub Date: July 21, 2020
ISBN: 978-0-374-31258-9
Page Count: 40
Publisher: Farrar, Straus and Giroux
Review Posted Online: Feb. 25, 2020
Kirkus Reviews Issue: March 15, 2020
Hundreds of pages of unbridled uplift boiled down to 40.
From two Nobel Peace Prize winners, an invitation to look past sadness and loneliness to the joy that surrounds us.
Bobbing in the wake of 2016’s heavyweight Book of Joy (2016), this brief but buoyant address to young readers offers an earnest insight: “If you just focus on the thing that is making / you sad, then the sadness is all you see. / But if you look around, you will / see that joy is everywhere.” López expands the simply delivered proposal in fresh and lyrical ways—beginning with paired scenes of the authors as solitary children growing up in very different circumstances on (as they put it) “opposite sides of the world,” then meeting as young friends bonded by streams of rainbow bunting and going on to share their exuberantly hued joy with a group of dancers diverse in terms of age, race, culture, and locale while urging readers to do the same. Though on the whole this comes off as a bit bland (the banter and hilarity that characterized the authors’ recorded interchanges are absent here) and their advice just to look away from the sad things may seem facile in view of what too many children are inescapably faced with, still, it’s hard to imagine anyone in the world more qualified to deliver such a message than these two. (This book was reviewed digitally.)
Hundreds of pages of unbridled uplift boiled down to 40. (Picture book. 6-8)Pub Date: Sept. 27, 2022
ISBN: 978-0-593-48423-4
Page Count: 40
Publisher: Crown
Review Posted Online: Aug. 30, 2022
Kirkus Reviews Issue: Sept. 15, 2022
A reasonably solid grounding in constitutional rights, their flexibility, lacunae, and hard-won corrections, despite a few...
Shamir offers an investigation of the foundations of freedoms in the United States via its founding documents, as well as movements and individuals who had great impacts on shaping and reshaping those institutions.
The opening pages of this picture book get off to a wobbly start with comments such as “You know that feeling you get…when you see a wide open field that you can run through without worrying about traffic or cars? That’s freedom.” But as the book progresses, Shamir slowly steadies the craft toward that wide-open field of freedom. She notes the many obvious-to-us-now exclusivities that the founding political documents embodied—that the entitled, white, male authors did not extend freedom to enslaved African-Americans, Native Americans, and women—and encourages readers to learn to exercise vigilance and foresight. The gradual inclusion of these left-behind people paints a modestly rosy picture of their circumstances today, and the text seems to give up on explaining how Native Americans continue to be left behind. Still, a vital part of what makes freedom daunting is its constant motion, and that is ably expressed. Numerous boxed tidbits give substance to the bigger political picture. Who were the abolitionists and the suffragists, what were the Montgomery bus boycott and the “Uprising of 20,000”? Faulkner’s artwork conveys settings and emotions quite well, and his drawing of Ruby Bridges is about as darling as it gets. A helpful timeline and bibliography appear as endnotes.
A reasonably solid grounding in constitutional rights, their flexibility, lacunae, and hard-won corrections, despite a few misfires. (Informational picture book. 6-10)Pub Date: May 2, 2017
ISBN: 978-0-399-54728-7
Page Count: 32
Publisher: Philomel
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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